Uneven but will satisfy curiosity regarding the tawdry reality of childhood within a criminal family.
Biography of drug kingpin Pablo Escobar (1949-1993) by his understandably conflicted son.
Escobar, an Argentina-based architect and subject of the documentary Sins of My Father, sees his father’s infamy alongside qualities of a devoted family man: “he always had us in his heart, even as he used terror to intimidate his enemies.” The author intends not to detail his father’s smuggling empire but to document the fuller life of the man—and settle some scores regarding his father’s siblings. He says at the outset, “I wish to publicly ask my father’s victims…for forgiveness.” In his view, neither Escobar’s rural youth nor early years as an enterprising small-time criminal prefaced his war against society. By 1975, early forays into cocaine smuggling made him a young millionaire; years of success followed, giving the author a childhood of absurd luxury. However, in 1982, Escobar erred in entering politics. “He mistakenly believed that he could traffic drugs while also holding a seat in Congress,” he writes. Over the next two years, his public exposure led to calls for prosecution and extradition, provoking Escobar toward a campaign of bombings, assassinations, and kidnappings. Eventually, he became a fugitive (often accompanied by his family) and expanded his war to the Cali cartel. This part of the narrative becomes jumbled, as Escobar simultaneously negotiates with the government and pursues violent schemes through a dwindling cadre of followers. “I felt powerless in the face of my father’s brutal methods,” writes the author. “He no longer listened to anyone’s advice.” Following Escobar’s inevitable-seeming demise, the author and his mother had to negotiate for their lives with his enemies. Escobar writes earnestly, relying on descriptive detail, though it can feel artificially reconstructed, particularly regarding the often stagey dialogue. The author is unable to explain how the warm, quirky father he presents and the criminal who normalized widespread violence within drug smuggling are the same person. This results in frequent dissonance.
Uneven but will satisfy curiosity regarding the tawdry reality of childhood within a criminal family.Pub Date: Aug. 30, 2016
ISBN: 978-1-250-10462-5
Page Count: 368
Publisher: Dunne/St. Martin's
Review Posted Online: June 29, 2016
Kirkus Reviews Issue: July 15, 2016
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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