Essential for Shandling fans and a good choice for readers interested in stand-up and comedy writing.
Garry Shandling's family, friends, and colleagues paint an affectionate portrait of a driven, introspective artist who had a hard time getting out of his own head.
Apatow (Sick in the Head: Conversations About Life and Comedy, 2015, etc.) never thought his comedy mentor and buddy was the kind of guy who liked to hold on to things. After all, the self-deprecating comedian was a practicing Buddhist. Nevertheless, following Shandling’s 2016 death at age 66, Apatow discovered that his teacher and former boss had actually kept everything—including a revelatory trove of journal entries and personal notes stretching back decades. The discovery led to the HBO documentary The Zen Diaries of Gary Shandling. Here, Apatow uses those earnest entries in conjunction with additional interviews to further explore the legendary comedian’s often besieged psyche. Despite stellar successes that included two seminal TV series (It’s Garry Shandling’s Show and The Larry Sanders Show), Shandling could never shake the death of his older brother, Barry, who died from cystic fibrosis when Garry was just 10. Under that dark shroud, Shandling additionally obsessed about award show monologues, TV scripts, and his unrelenting ego. “He had rage,” notes Sarah Silverman. “He could really hold on to stuff and be troubled by things that to other people might seem small, but he was always working on that, always trying to process it and understand it." Throughout his professional life, that diligence both helped and hampered Shandling, whether he was writing TV scripts for Sanford & Son or breaking into the movies with the ill-fated What Planet Are You From? In the latter case, Shandling’s mix of insecurity and perfectionism proved too much for director Mike Nichols, and the film flopped. Professional highs and lows aside, Shandling is remembered as a man who spent his entire life seeking and generously giving of himself—even if that self was the cause of most of his woes.
Essential for Shandling fans and a good choice for readers interested in stand-up and comedy writing.Pub Date: Nov. 12, 2019
ISBN: 978-0-525-51084-0
Page Count: 472
Publisher: Random House
Review Posted Online: Sept. 14, 2019
Kirkus Reviews Issue: Oct. 1, 2019
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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