It’s not the worst way to introduce some new, unusual words, but this is unlikely to stimulate repeat readings.
Sprinklers say the darnedest things.
Let’s backtrack. Sprinklers are blob-shaped critters of diverse size and color who are helpers of the Sprinkle Fairy. They appear in each of the six brief, unrelated stories about a boy named Cris and his cat, Crat, to introduce, with fanfare (“Big Word! Big Word!”), an unfamiliar word to emergent and early-middle-grade readers. There’s an arbitrary feel to the presentation, as though the tales were constructed around the words. The words are ones readers may not have realized they might want to know: “purloined,” “discombobulated,” “bamboozled,” “smithereens,” and “galoshes.” More commonplace words in the stories that young children may feel are equally important, including “wizard,” “fairy,” or “sprinkle,” aren’t singled out (although, granted, they aren’t as big). Each new word gets special treatment: It’s used several times in context, sometimes in different forms; a pronunciation guide is provided; and it’s defined at the story’s conclusion. The final tale reinforces all the new vocabulary. Perhaps due to this conceit, the stories are only faintly amusing, with endings that fall flat. The cartoon illustrations, however, reminiscent of those in Mo Willems’ Elephant & Piggie books, are whimsical, expressive, and appealing, and they feature ample white space and capitalized sound effects. Cris and the Sprinkle Fairy are both pale-skinned, but depicted groups are diverse.
It’s not the worst way to introduce some new, unusual words, but this is unlikely to stimulate repeat readings. (Early reader. 5-8)Pub Date: Sept. 4, 2018
ISBN: 978-1-77138-788-0
Page Count: 56
Publisher: Kids Can
Review Posted Online: June 24, 2018
Kirkus Reviews Issue: July 15, 2018
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Embedded in this heartwarming story of doing the right thing is a deft examination of the pressures of income inequality on...
Continuing from their acclaimed Those Shoes (2007), Boelts and Jones entwine conversations on money, motives, and morality.
This second collaboration between author and illustrator is set within an urban multicultural streetscape, where brown-skinned protagonist Ruben wishes for a bike like his friend Sergio’s. He wishes, but Ruben knows too well the pressure his family feels to prioritize the essentials. While Sergio buys a pack of football cards from Sonny’s Grocery, Ruben must buy the bread his mom wants. A familiar lady drops what Ruben believes to be a $1 bill, but picking it up, to his shock, he discovers $100! Is this Ruben’s chance to get himself the bike of his dreams? In a fateful twist, Ruben loses track of the C-note and is sent into a panic. After finally finding it nestled deep in a backpack pocket, he comes to a sense of moral clarity: “I remember how it was for me when that money that was hers—then mine—was gone.” When he returns the bill to her, the lady offers Ruben her blessing, leaving him with double-dipped emotions, “happy and mixed up, full and empty.” Readers will be pleased that there’s no reward for Ruben’s choice of integrity beyond the priceless love and warmth of a family’s care and pride.
Embedded in this heartwarming story of doing the right thing is a deft examination of the pressures of income inequality on children. (Picture book. 5-8)Pub Date: Oct. 4, 2016
ISBN: 978-0-7636-6649-1
Page Count: 40
Publisher: Candlewick
Review Posted Online: July 19, 2016
Kirkus Reviews Issue: Aug. 1, 2016
A solo debut for Wenzel showcasing both technical chops and a philosophical bent.
Wouldn’t the same housecat look very different to a dog and a mouse, a bee and a flea, a fox, a goldfish, or a skunk?
The differences are certainly vast in Wenzel’s often melodramatic scenes. Benign and strokable beneath the hand of a light-skinned child (visible only from the waist down), the brindled cat is transformed to an ugly, skinny slinker in a suspicious dog’s view. In a fox’s eyes it looks like delectably chubby prey but looms, a terrifying monster, over a cowering mouse. It seems a field of colored dots to a bee; jagged vibrations to an earthworm; a hairy thicket to a flea. “Yes,” runs the terse commentary’s refrain, “they all saw the cat.” Words in italics and in capital letters in nearly every line give said commentary a deliberate cadence and pacing: “The cat walked through the world, / with its whiskers, ears, and paws… // and the fish saw A CAT.” Along with inviting more reflective viewers to ruminate about perception and subjectivity, the cat’s perambulations offer elemental visual delights in the art’s extreme and sudden shifts in color, texture, and mood from one page or page turn to the next.
A solo debut for Wenzel showcasing both technical chops and a philosophical bent. (Picture book. 6-8)Pub Date: Aug. 30, 2016
ISBN: 978-1-4521-5013-0
Page Count: 44
Publisher: Chronicle Books
Review Posted Online: May 31, 2016
Kirkus Reviews Issue: June 15, 2016
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