A dustball of fun for fairly fluent readers.
Chores become fun via an enormous flying dustball and word nerdery.
Bespectacled Davey is sweeping under the couch. When he enlists his dog’s grudging help to dispose of a sizable dustball, a gust of wind takes the two up, up, and away on a grand adventure to Italy, Hawaii, China, and Switzerland. Along with sending the pair to a new location, each chapter also introduces a “big word,” such as “irksome,” “brouhaha,” “lollygagging,” “collywobbles,” and “phenomenon.” As in series opener The Missing Donut (2018), colorful beings called Sprinklers pop in to alert the reader before any “big word” is introduced (“Big word coming. BIG!”). Their leader, the Sprinkle Fairy, adds idiom-filled commentary. The repetitive formula, which smartly deviates in the final chapter to combine all the “big words” into a humorous skit, will indeed introduce readers who have some confidence already to new words. The quirky cartoon illustrations have ample white space, but readers unfamiliar with comics conventions may find the layout hard to follow without panels and speech bubbles. Additionally, the globe-trotting sequences rely on visual stereotypes to convey the locations (for example, the Swiss characters wear lederhosen and dirndls, and the Italians carry plates of spaghetti and meatballs; the depiction of an elderly Chinese man avoids facial stereotypes, however). Davey has brown skin and black hair; the Sprinkle Fairy presents white.
A dustball of fun for fairly fluent readers. (Early reader. 5-8)Pub Date: April 2, 2019
ISBN: 978-1-77138-789-7
Page Count: 56
Publisher: Kids Can
Review Posted Online: Jan. 27, 2019
Kirkus Reviews Issue: Feb. 15, 2019
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Embedded in this heartwarming story of doing the right thing is a deft examination of the pressures of income inequality on...
Continuing from their acclaimed Those Shoes (2007), Boelts and Jones entwine conversations on money, motives, and morality.
This second collaboration between author and illustrator is set within an urban multicultural streetscape, where brown-skinned protagonist Ruben wishes for a bike like his friend Sergio’s. He wishes, but Ruben knows too well the pressure his family feels to prioritize the essentials. While Sergio buys a pack of football cards from Sonny’s Grocery, Ruben must buy the bread his mom wants. A familiar lady drops what Ruben believes to be a $1 bill, but picking it up, to his shock, he discovers $100! Is this Ruben’s chance to get himself the bike of his dreams? In a fateful twist, Ruben loses track of the C-note and is sent into a panic. After finally finding it nestled deep in a backpack pocket, he comes to a sense of moral clarity: “I remember how it was for me when that money that was hers—then mine—was gone.” When he returns the bill to her, the lady offers Ruben her blessing, leaving him with double-dipped emotions, “happy and mixed up, full and empty.” Readers will be pleased that there’s no reward for Ruben’s choice of integrity beyond the priceless love and warmth of a family’s care and pride.
Embedded in this heartwarming story of doing the right thing is a deft examination of the pressures of income inequality on children. (Picture book. 5-8)Pub Date: Oct. 4, 2016
ISBN: 978-0-7636-6649-1
Page Count: 40
Publisher: Candlewick
Review Posted Online: July 19, 2016
Kirkus Reviews Issue: Aug. 1, 2016
A solo debut for Wenzel showcasing both technical chops and a philosophical bent.
Wouldn’t the same housecat look very different to a dog and a mouse, a bee and a flea, a fox, a goldfish, or a skunk?
The differences are certainly vast in Wenzel’s often melodramatic scenes. Benign and strokable beneath the hand of a light-skinned child (visible only from the waist down), the brindled cat is transformed to an ugly, skinny slinker in a suspicious dog’s view. In a fox’s eyes it looks like delectably chubby prey but looms, a terrifying monster, over a cowering mouse. It seems a field of colored dots to a bee; jagged vibrations to an earthworm; a hairy thicket to a flea. “Yes,” runs the terse commentary’s refrain, “they all saw the cat.” Words in italics and in capital letters in nearly every line give said commentary a deliberate cadence and pacing: “The cat walked through the world, / with its whiskers, ears, and paws… // and the fish saw A CAT.” Along with inviting more reflective viewers to ruminate about perception and subjectivity, the cat’s perambulations offer elemental visual delights in the art’s extreme and sudden shifts in color, texture, and mood from one page or page turn to the next.
A solo debut for Wenzel showcasing both technical chops and a philosophical bent. (Picture book. 6-8)Pub Date: Aug. 30, 2016
ISBN: 978-1-4521-5013-0
Page Count: 44
Publisher: Chronicle Books
Review Posted Online: May 31, 2016
Kirkus Reviews Issue: June 15, 2016
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