Returning to Egypt following her romance based on Alexander the Great's sojourn there (Lord of the Two Lands, 1992), Tarr retells the story of the historical lovers Anthony and Cleopatra and adds a fictional pair, Dione and Lucius. In 41 B.C., following the death of Julius Caesar, the Roman empire is ruled by two men: Octavian, the future Caesar Augustus, claims Italy and the west, while Marc Anthony controls the east. Egypt's Queen Cleopatra, lover of Julius, must choose sides if Egypt is to survive. Summoned by Marc Anthony, Cleopatra makes her decision—the pair become lovers and soul mates, regarding themselves as gods incarnate. Anthony, however, has a Roman wife, who manages to enrage Octavian and thus disgrace Anthony. To mend the breach and prevent outright civil war, Anthony is obliged to wed Octavian's sister despite his passion for Cleopatra. Furious, the queen prepares to blast Anthony by magic and is only dissuaded by her confidante, Dione, a priestess of Isis, herself increasingly involved with the Roman augur Lucius Servilius, one of Anthony's companions. Later, after campaigning in Armenia and Parthia with varying success, Anthony musters Cleopatra's huge navy to challenge Octavian; but Anthony's Roman allies, tiring of Egyptian influences, begin to melt away, and Anthony suffers a disastrous defeat at Actium. Though Cleopatra escapes the debacle, Egyptian resistance collapses, and soon, with Octavian knocking at the gates of Alexandria and Anthony dead, Cleopatra commits suicide by snake bites. Tarr's historical outline is unexceptionable, her wealth of cultural detail impeccable. But again she fails to breathe life into famous characters; nor does she manage to translate all that expertise into anything resembling a compelling narrative.
Pub Date: April 1, 1994
ISBN: 0-312-85363-7
Page Count: 384
Publisher: Forge
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 1994
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
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