Viorst has long been known for the kind of verse that reaches even those who never read poetry. She has lost none of her trademark wit in this companion to If I Were in Charge of the World and Other Worries (Atheneum, 1981), and she still has an unerring sense of the Universal Uncomfortable Experience (``When there's no bathroom—and you gotta go''). Among the knock-knocks and fairy- tale send-ups—``The witch had dinner reservations. / (My brother was the dinner.) / I was the clever person who made her cancel... / So why don't they call this story / `Gretel and Hansel'?''—are poems about homelessness and acid rain, and a wistful poem about what dads do—''Make bookshelves. / Make burgers. / Make money.''- -that ends, ``I wish I still had one.'' Light, but not lightweight, a collection with wide and durable appeal. With b&w page decorations. (index) (Poetry. 7+)
Pub Date: April 1, 1995
ISBN: 0-689-31929-0
Page Count: 78
Publisher: Atheneum
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 1995
BOOK REVIEW
BOOK REVIEW
Brooks’s gloriously universal celebration of African-American childhood here receives a respectful and joyous treatment from one of the pre-eminent illustrators of the same. Readers coming to “Narcissa,” “Beulah at Church” and “Marie Lucille” for the first time will discover them accompanied by Ringgold’s trademark folk-art interpretations, the expressive brown figures depicted for the most part as vignettes against bright backgrounds. They show a Bronzeville that bustles with activity, single-family homes sharing the streets with apartment buildings and the occasional vacant lot. The children run, braids and arms out straight, and contemplate in turns, their exuberance tempered by the solemnity of childhood. While it’s regrettable that occasionally the specificity of the illustration robs a verse of its universality—the “special place” referenced in “Keziah” is shown to be underneath the kitchen table, for instance—the overall ebullience of the images more than compensates. There is a drop of truth in every single playful, piercing stanza, and anything that brings these poems to a new audience is to be cheered; a lovely package indeed. (Picture book/poetry. 7+)
Pub Date: Jan. 1, 2007
ISBN: 0-06-029505-8
Page Count: 48
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 15, 2006
IN THE NEWS
A heartfelt portrait of the complexities of grief and the indomitable human spirit.
In the Newbery Honor–winning author’s latest, a Harlem teen copes with overwhelming pain while learning how to open up.
Sage’s 13th birthday was the worst day of her life; it was the day her best friend, Angel, was killed after a hit-and-run. In the wake of Angel’s death, Sage takes part in grief counseling with four other students; she connects with Ebony and DD, whose losses were sudden as well. Sage grapples with conflicting emotions, but the person who could help her sort them out is gone forever, leaving her convinced it was her fault. She wishes her life had concrete answers, like the math problems she enjoys. Instead, new friendships and a possible romance raise more questions. Finally, all her pent-up anger and sadness spill over, and Sage can longer hold in her feelings. Much to her surprise, speaking honestly helps lift the veil of sadness and sets her on a path toward healing. Watson has crafted an achingly beautiful novel that masterfully captures the realities of loss—the constant reminders of what life used to be like, the guilt that haunts Sage, and the anguish of “talking about someone you love in past tense.” Sage’s voice, rendered in a mix of prose and free verse, is visceral and wholly authentic, while the supporting characters are also richly and fully realized. Characters are cued Black.
A heartfelt portrait of the complexities of grief and the indomitable human spirit. (author’s note, resources) (Verse fiction. 10-14)Pub Date: Feb. 4, 2025
ISBN: 9781547605897
Page Count: 208
Publisher: Bloomsbury
Review Posted Online: Nov. 23, 2024
Kirkus Reviews Issue: Jan. 1, 2025
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