While the schtick may be getting a little old for everyday readers, clever teachers could turn this into a creative...
Mrs. Millie’s silliness with mixed-up words continues as her students plan a few birthday surprises, and this time, it is not just Mrs. Millie who gets her words wrong (Don't Be Silly, Mrs. Millie!, 2005, etc.).
The kids begin it by having their parents help them “decorate the classroom with colorful baboons. / Oh! We mean balloons.” They lay out treats, knowing that Mrs. Millie will call them “cubcakes” when she sees them, and lay in a good supply of “apple moose” to drink. Then it’s time for the party. They surprise Mrs. Millie and go through all the normal birthday rituals—presents, cake, blowing out the candle, making a wish and playing games. Every spread save one features some sort of word mix-up, whether based on rhymes (moose and juice) or just words that sound similar (camel and candle). Cox’s text leans heavily on Mathieu’s brightly colored pencil-and-watercolor illustrations for humor, and he definitely delivers. The zany mash-ups he creates are sure to elicit giggles in readers, though they may not last through repeated readings once they get over the novelty. His cast of characters includes a mix of skin colors, though it would have been nice if their facial expressions were just as varied.
While the schtick may be getting a little old for everyday readers, clever teachers could turn this into a creative writing/art lesson that works for multiple grade levels. (Picture book. 4-7)Pub Date: May 1, 2012
ISBN: 978-0-7614-6126-5
Page Count: 32
Publisher: Marshall Cavendish
Review Posted Online: Feb. 28, 2012
Kirkus Reviews Issue: March 15, 2012
Too cute to be spooky indeed but most certainly sweet.
A ghost longs to be scary, but none of the creepy personas she tries on fit.
Misty, a feline ghost with big green eyes and long whiskers, wants to be the frightening presence that her haunted house calls for, but sadly, she’s “too cute to be spooky.” She dons toilet paper to resemble a mummy, attempts to fly on a broom like a witch, and howls at the moon like a werewolf. Nothing works. She heads to a Halloween party dressed reluctantly as herself. When she arrives, her friends’ joyful screams reassure her that she’s great just as she is. Sadler’s message, though a familiar one, is delivered effectively in a charming, ghostly package. Misty truly is too precious to be frightening. Laberis depicts an endearingly spooky, all-animal cast—a frog witch, for instance, and a crocodilian mummy. Misty’s sidekick, a cheery little bat who lends support throughout, might be even more adorable than she is. Though Misty’s haunted house is filled with cobwebs and surrounded by jagged, leafless trees, the charming characters keep things from ever getting too frightening. The images will encourage lingering looks. Clearly, there’s plenty that makes Misty special just as she is—a takeaway that adults sharing the book with their little ones should be sure to drive home.
Too cute to be spooky indeed but most certainly sweet. (Picture book. 4-6)Pub Date: Aug. 13, 2024
ISBN: 9780593702901
Page Count: 32
Publisher: Random House
Review Posted Online: May 17, 2024
Kirkus Reviews Issue: June 15, 2024
BOOK REVIEW
BOOK REVIEW
As ephemeral as a valentine.
Daywalt and Jeffers’ wandering crayons explore love.
Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.
As ephemeral as a valentine. (Picture book. 4-6)Pub Date: Dec. 24, 2019
ISBN: 978-1-5247-9268-8
Page Count: 32
Publisher: Penguin Workshop
Review Posted Online: Feb. 1, 2021
SEEN & HEARD
SEEN & HEARD
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