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THE ART OF FLYING

Silly witches, transformed birds and a plucky heroine equal “real, live adventure.” (Fantasy. 8-12)

Having accidentally transformed three birds into humans, sibling witches must coerce a practical girl to help them reverse the spell, but she proves an unreliable cohort.

The Baldwin sisters keep a low profile in “poky old Wheatfield,” where no one knows they are really witches. By turning an owl and two fledgling sparrows into a man and two boys, the sisters have breached the strict witch code forbidding human transformation and have five days to reverse the spell or the change becomes permanent. Worse, they then lose the ex-owl and one of the ex-sparrows. When the sisters lure 11-year-old Fortuna Dalliance to their suitably spooky house to see if she’s got the right stuff to help them, she’s terrified, but she’s also been itching for excitement. Soon becoming attached to bird-boy Martin, Fortuna hides him so he’ll remain human. Threatened by the local coven and aided by the bird community, the sisters are desperate to find the three missing bird-humans, but Fortuna can’t decide what to do. Like the crones in Dahl’s The Witches, the Baldwin sisters supply sinister humor, while conflicted heroine Fortuna must decide whether to let her friend fly free. Black-and-white spot art adds charm to this contemporary debut fantasy.

Silly witches, transformed birds and a plucky heroine equal “real, live adventure.” (Fantasy. 8-12)

Pub Date: Oct. 29, 2013

ISBN: 978-1-4231-5815-8

Page Count: 320

Publisher: Disney-Hyperion

Review Posted Online: July 16, 2013

Kirkus Reviews Issue: Aug. 1, 2013

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WAR GAMES

Fast-paced and plot-driven.

In his latest, prolific author Gratz takes on Hitler’s Olympic Games.

When 13-year-old American gymnast Evie Harris arrives in Berlin to compete in the 1936 Olympic Games, she has one goal: stardom. If she can bring home a gold medal like her friend, the famous equestrian-turned-Hollywood-star Mary Brooks, she might be able to lift her family out of their Dust Bowl poverty. But someone slips a strange note under Evie’s door, and soon she’s dodging Heinz Fischer, the Hitler Youth member assigned to host her, and meeting strangers who want to make use of her gymnastic skills—to rob a bank. As the games progress, Evie begins to see the moral issues behind their sparkling facade—the antisemitism and racism inherent in Nazi ideology and the way Hitler is using the competition to support and promote these beliefs. And she also agrees to rob the bank. Gratz goes big on the Mission Impossible–style heist, which takes center stage over the actual competitions, other than Jesse Owens’ famous long jump. A lengthy and detailed author’s note provides valuable historical context, including places where Gratz adapted the facts for storytelling purposes (although there’s no mention of the fact that before 1952, Olympic equestrian sports were limited to male military officers). With an emphasis on the plot, many of the characters feel defined primarily by how they’re suffering under the Nazis, such as the fictional diver Ursula Diop, who was involuntarily sterilized for being biracial.

Fast-paced and plot-driven. (Historical fiction. 9-12)

Pub Date: Oct. 7, 2025

ISBN: 9781338736106

Page Count: 368

Publisher: Scholastic

Review Posted Online: Aug. 2, 2025

Kirkus Reviews Issue: Sept. 1, 2025

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THE LION OF LARK-HAYES MANOR

A pleasing premise for book lovers.

A fantasy-loving bookworm makes a wonderful, terrible bargain.

When sixth grader Poppy Woodlock’s historic preservationist parents move the family to the Oregon coast to work on the titular stately home, Poppy’s sure she’ll find magic. Indeed, the exiled water nymph in the manor’s ruined swimming pool grants a wish, but: “Magic isn’t free. It cosssts.” The price? Poppy’s favorite book, The Lion, the Witch, and the Wardrobe. In return she receives Sampson, a winged lion cub who is everything Poppy could have hoped for. But she soon learns that the nymph didn’t take just her own physical book—she erased Narnia from Poppy’s world. And it’s just the first loss: Soon, Poppy’s grandmother’s journal’s gone, then The Odyssey, and more. The loss is heartbreaking, but Sampson’s a wonderful companion, particularly as Poppy’s finding middle school a tough adjustment. Hartman’s premise is beguiling—plenty of readers will identify with Poppy, both as a fellow bibliophile and as a kid struggling to adapt. Poppy’s repeatedly expressed faith that unveiling Sampson will bring some sort of vindication wears thin, but that does not detract from the central drama. It’s a pity that the named real-world books Poppy reads are notably lacking in diversity; a story about the power of literature so limited in imagination lets both itself and readers down. Main characters are cued White; there is racial diversity in the supporting cast. Chapters open with atmospheric spot art. (This review has been updated to reflect the final illustrations.)

A pleasing premise for book lovers. (Fantasy. 9-12)

Pub Date: May 2, 2023

ISBN: 9780316448222

Page Count: 320

Publisher: Little, Brown

Review Posted Online: Feb. 24, 2023

Kirkus Reviews Issue: March 15, 2023

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