In this great idea for a collection, the selection of stories included is stellar and the watercolor illustrations are charming. There are tales about a runaway pancake, a singing pumpkin, a caterpillar that is feared as a mighty threat, explanations about why tortoises no longer have a smooth shell and why monkeys live in trees, and 15 others. Each tale, many of which can be found in picture book editions or in other collections, seems sillier than the last and features absurd situations, characters that lack even the most basic common sense, or ridiculous outcomes. Nevertheless, despite the potential for a wonderful collection, Sierra’s (Monster Goose, 2001, etc.) retellings, in general, are static and bland and in some cases simply confusing. Noteworthy is the abundance of rhyming words, repetitious phrases, and clever tricksters. More sparkles come with literary allusions to other classic folk stories or when the tale itself is a new one to the reader’s repertoire of stories. Young readers will enjoy repeating the codas, a traditional rhyming phrase meant to open or to bring a tale to a close. However, these positive elements are not enough to redeem the collection, which as a whole remains an additional purchase. (Folklore. 6-10)
Pub Date: Sept. 10, 2002
ISBN: 0-375-80609-1
Page Count: 90
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 15, 2002
At ``Step 2'' in the useful ``Step into Reading'' series: an admirably clear, well-balanced presentation that centers on wolves' habits and pack structure. Milton also addresses their endangered status, as well as their place in fantasy, folklore, and the popular imagination. Attractive realistic watercolors on almost every page. Top-notch: concise, but remarkably extensive in its coverage. A real bargain. (Nonfiction/Easy reader. 6-10)
Pub Date: April 1, 1992
ISBN: 0-679-91052-2
Page Count: 48
Publisher: Random House
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 1992
BOOK REVIEW
Gooney Bird Greene (with a silent E) is not your average second grader. She arrives in Mrs. Pidgeon’s class announcing: “I’m your new student and I just moved here from China. I want a desk right smack in the middle of the room, because I like to be right smack in the middle of everything.” Everything about her is unusual and mysterious—her clothes, hairstyles, even her lunches. Since the second graders have never met anyone like Gooney Bird, they want to hear more about her. Mrs. Pidgeon has been talking to the class about what makes a good story, so it stands to reason that Gooney will get her chance. She tells a series of stories that explain her name, how she came from China on a flying carpet, how she got diamond earrings at the prince’s palace, and why she was late for school (because she was directing a symphony orchestra). And her stories are “absolutely true.” Actually, they are explainable and mesh precisely with the teacher’s lesson, more important, they are a clever device that exemplify the elements of good storytelling and writing and also demonstrate how everyone can turn everyday events into stories. Savvy teachers should take note and add this to their shelf of “how a story is made” titles. Gooney Bird’s stories are printed in larger type than the narrative and the black-and-white drawings add the right touch of sauciness (only the cover is in color). A hybrid of Harriet, Blossom, and Anastasia, irrepressible Gooney Bird is that rare bird in children’s fiction: one that instantly becomes an amusing and popular favorite. (Fiction. 6-9)
Pub Date: Sept. 1, 2002
ISBN: 0-618-23848-4
Page Count: 96
Publisher: Walter Lorraine/Houghton Mifflin
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 2002
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