While human adoptions may never be this random and unexpected (and have been covered by the likes of Jamie Lee Curtis and...
In lively rhyming couplets that beg to be read aloud, Sierra’s zoo animals are back, this time proving that it takes a village zoo to raise children…especially when those children are adopted.
The new batch of zoo babies finds the tree kangaroo and the panda couple bemoaning their lack of offspring. But while the crocodiles list all the reasons why babies are awful (“mountains of poo” are mentioned), they simply cannot give their children to the pandas, since they “LOVE THEM COMPLETELY.” The tree kangaroo jumps at the opportunity to tuck a mystery egg into her pouch to hatch. Her penguin chick, while not what she expected or dreamed of, is just perfect. Meanwhile, the still-childless pandas get a surprise of their own in the form of a stray kitten. Both of the new little families are tenderly watched over by the other zoo inhabitants. The “pandacat” and “pengaroo” are each the answer to their parents’ wishes, as is more than evident from both the text and Brown’s watercolor, gouache and colored-pencil illustrations. Bright colors and bold patterns fill the pages, but the true stars are the animals, whose mutual affection shines through on every page.
While human adoptions may never be this random and unexpected (and have been covered by the likes of Jamie Lee Curtis and Rose Lewis), this nicely captures the cross-species bonds animals sometimes form. (Picture book. 4-8)Pub Date: Aug. 7, 2012
ISBN: 978-0-307-93178-8
Page Count: 40
Publisher: Knopf
Review Posted Online: April 17, 2012
Kirkus Reviews Issue: Aug. 1, 2012
Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among
Pete, the cat who couldn’t care less, celebrates Christmas with his inimitable lassitude.
If it weren’t part of the title and repeated on every other page, readers unfamiliar with Pete’s shtick might have a hard time arriving at “groovy” to describe his Christmas celebration, as the expressionless cat displays not a hint of groove in Dean’s now-trademark illustrations. Nor does Pete have a great sense of scansion: “On the first day of Christmas, / Pete gave to me… / A road trip to the sea. / GROOVY!” The cat is shown at the wheel of a yellow microbus strung with garland and lights and with a star-topped tree tied to its roof. On the second day of Christmas Pete gives “me” (here depicted as a gray squirrel who gets on the bus) “2 fuzzy gloves, and a road trip to the sea. / GROOVY!” On the third day, he gives “me” (now a white cat who joins Pete and the squirrel) “3 yummy cupcakes,” etc. The “me” mentioned in the lyrics changes from day to day and gift to gift, with “4 far-out surfboards” (a frog), “5 onion rings” (crocodile), and “6 skateboards rolling” (a yellow bird that shares its skateboards with the white cat, the squirrel, the frog, and the crocodile while Pete drives on). Gifts and animals pile on until the microbus finally arrives at the seaside and readers are told yet again that it’s all “GROOVY!”
Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among . (Picture book. 4-8)Pub Date: Sept. 18, 2018
ISBN: 978-0-06-267527-9
Page Count: 48
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 19, 2018
Kirkus Reviews Issue: Sept. 1, 2018
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Nice enough but not worth repeat reads.
Emma deals with jitters before playing the guitar in the school talent show.
Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)
Nice enough but not worth repeat reads. (Picture book. 4-6)Pub Date: March 29, 2022
ISBN: 978-0-593-35207-6
Page Count: 40
Publisher: Razorbill/Penguin
Review Posted Online: Feb. 8, 2022
Kirkus Reviews Issue: March 1, 2022
BOOK REVIEW
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