Written in sumptuous prose, Kim’s novel is a feast for the senses.
Riveting novel of a prima ballerina’s tumultuous rise, fall, and potential return.
Kim’s bold second novel propels the reader into the competitive world of contemporary Russian ballet. The book begins with a crisis: Former prima ballerina Natalia Leonova is a mess. Addicted to pain meds and sleeping pills—which she’s washing down with vodka—Natalia has returned home to St. Petersburg to attempt a comeback. A disastrous accident has prematurely ended her star turn at the Paris Opéra, but even worse than the injuries to her feet are her psychic wounds and loss of confidence. As Natalia struggles during rehearsals, she reminisces about her past as a protégé of the famed Mariinsky Ballet school and company. The reader is plunged into the rivalries between dancers, lovers, friends, and even nations as Natalia rises through the ranks. Although born into poverty and raised by a single mother, Natalia has an extraordinary gift: She can jump higher than any other ballerina. Reflecting on her audition, Natalia recalls, “It was the force of all I’d been suppressing; I felt like I could reach my hands and tap the ceiling if I wished. The board members were now pointing in my direction. Murmurs and gasps. That’s a jumper. I sprang even higher.” Kim weaves in plot threads involving the Russian invasion of Ukraine, the tabloid press, and celebrity parties, as well as complications related to various expressions of sexual desire to show that no form of art can exist separately from the complexity of life. At times Natalia seems extremely naïve about the ways of the world outside ballet; refreshingly, the novel never punishes her for her excellence or her ambition. This is another brilliant page-turner from Kim, whose first novel, Beasts of a Little Land (2021), was a finalist for the Dayton Literary Peace Prize.
Written in sumptuous prose, Kim’s novel is a feast for the senses.Pub Date: Nov. 26, 2024
ISBN: 9780063394759
Page Count: 320
Publisher: Ecco/HarperCollins
Review Posted Online: July 19, 2024
Kirkus Reviews Issue: Aug. 15, 2024
BOOK REVIEW
PERSPECTIVES
PERSPECTIVES
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.
A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.
When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.Pub Date: Feb. 6, 2024
ISBN: 9781250178633
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Nov. 4, 2023
Kirkus Reviews Issue: Dec. 1, 2023
PERSPECTIVES
BOOK TO SCREEN
SEEN & HEARD
A sweet bedtime story.
A boy and his stuffed bear head into the woods.
Having captured readers’ attention with Born a Crime (2016), his bestselling memoir of growing up in South Africa, comedian and television host Noah has written a parable about decision-making. As he puts it in a brief prologue, “It’s about disagreements and difference—but it’s also about how we bridge those gaps and find what matters most, whether we’re parents or kids, neighbors, gnomes, or political adversaries. It’s a picture book, but it’s not a children’s book. Rather, it is a book for kids to share with parents and for parents to share with kids.” With plentiful illustrations by Hahn and in language aimed at young listeners, it tells the story of a small boy so impatient to start his Saturday adventures that he rebels against the rules of his household and heads out without brushing his teeth or making his bed, despite the reminders of his stuffed bear, Walter. “We can’t just run away,” protests the bear. “Your mother will miss you. And where will we sleep? And who will make us waffles?” “We’ll build our own house,” the boy responds. “And we’ll grow our own waffles!” From there, the pair go on their walkabout, encountering a garden gnome, a pair of snails, and a gang of animated coins who have lessons to offer about making choices. Though the author suggests in the introduction that adult readers might enjoy the book on their own, those looking for a follow-up to the memoir or a foray into adult fiction should be warned that this is not that book.
A sweet bedtime story.Pub Date: Oct. 8, 2024
ISBN: 9780593729960
Page Count: 128
Publisher: One World/Random House
Review Posted Online: July 4, 2024
Kirkus Reviews Issue: Aug. 1, 2024
BOOK REVIEW
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