by Jules Verne & translated by Benjamin Ivry ‧ RELEASE DATE: May 1, 2001
Interesting philosophically and geopolitically, and a window on a world a hundred years gone: a distinctive tale still has...
Nearly a century after his death, five “lost” manuscripts of Verne are part of the SF master’s return to active publication (Invasion of the Sea, The Mysterious Island, both 2002).
This latest, first published in French in 1909 after being massively rewritten by Verne’s son Michel and now stripped to its original spare form, is an unabashedly speculative novel of civilization and nationhood, and a powerful man who yearns to be free from both. In Magellania, the archipelago forming the southernmost reach of South America, a primal scene occurs: a native stalks a wild guanaco and is pounced on by a jaguar, which is then shot by a mysterious but revered European, Kaw-djer, who arrived in the islands some years before. Kaw-djer takes the mauled native back to the man’s village in his longboat, but the man dies before they arrive. Saddened, Kaw-djer returns to the home on another island that he shares with the native channel pilot Karroly and his son, while the narrator explains the status of Magellania in the 1880s: territory as yet unclaimed by any nation, which is why Kaw-djer, who lives by the dictum “Neither God nor master,” has settled there. Unfortunately, Chile and Argentina soon lay claim to the region, and Kaw-djer, with nowhere else to go, in a gathering storm steers his boat to the island forming the southern tip of the archipelago, intending to throw himself into the sea. But a ship in distress gives him pause, and he and Karroly do what they can to save it; disabled and dismasted, it finally wrecks on a more sheltered island, where its cargo of hundreds of emigrants on their way to South Africa is mostly saved. The emigrants, from the US and Europe, winter over on the island, and, later, when a Chilean emissary offers to give the island to them if they’ll settle on it, they accept. Kaw-djer now has a place to remain free—but at a price.
Interesting philosophically and geopolitically, and a window on a world a hundred years gone: a distinctive tale still has the power to charm and provoke.Pub Date: May 1, 2001
ISBN: 1-56649-179-7
Page Count: 208
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 2002
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by Jules Verne & translated by Jordan Stump
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by J.D. Salinger ‧ RELEASE DATE: June 15, 1951
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
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SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
by Michael Crichton ‧ RELEASE DATE: Nov. 7, 1990
Genetically engineered dinosaurs run amok in Crichton's new, vastly entertaining science thriller. From the introduction alone—a classically Crichton-clear discussion of the implications of biotechnological research—it's evident that the Harvard M.D. has bounced back from the science-fantasy silliness of Sphere (1987) for another taut reworking of the Frankenstein theme, as in The Andromeda Strain and The Terminal Man. Here, Dr. Frankenstein is aging billionaire John Hammond, whose monster is a manmade ecosystem based on a Costa Rican island. Designed as the world's ultimate theme park, the ecosystem boasts climate and flora of the Jurassic Age and—most spectacularly—15 varieties of dinosaurs, created by elaborate genetic engineering that Crichton explains in fascinating detail, rich with dino-lore and complete with graphics. Into the park, for a safety check before its opening, comes the novel's band of characters—who, though well drawn, double as symbolic types in this unsubtle morality play. Among them are hero Alan Grant, noble paleontologist; Hammond, venal and obsessed; amoral dino-designer Henry Wu; Hammond's two innocent grandchildren; and mathematician Ian Malcolm, who in long diatribes serves as Crichton's mouthpiece to lament the folly of science. Upon arrival, the visitors tour the park; meanwhile, an industrial spy steals some dino embryos by shutting down the island's power—and its security grid, allowing the beasts to run loose. The bulk of the remaining narrative consists of dinos—ferocious T. Rex's, voracious velociraptors, venom-spitting dilophosaurs—stalking, ripping, and eating the cast in fast, furious, and suspenseful set-pieces as the ecosystem spins apart. And can Grant prevent the dinos from escaping to the mainland to create unchecked havoc? Though intrusive, the moralizing rarely slows this tornado-paced tale, a slick package of info-thrills that's Crichton's most clever since Congo (1980)—and easily the most exciting dinosaur novel ever written. A sure-fire best-seller.
Pub Date: Nov. 7, 1990
ISBN: 0394588169
Page Count: 424
Publisher: Knopf
Review Posted Online: Sept. 21, 2011
Kirkus Reviews Issue: Oct. 15, 1990
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