NEW YEAR

While on vacation, a family man sets off on a solo bicycle ride with seriously unexpected results.

Henning, a married man with two kids under 5, organizes a surprise two-week family holiday in Lanzarote over Christmas and New Year’s. So far, so good, apart from a few small issues: His wife, Theresa, likes to complain about the weather whether they’re at home in Germany or on a beautiful volcanic island in the Atlantic; Henning has been having panic attacks over the past two years, and it takes real work on his part to try to manage them; and, at a fancy dinner on New Year’s Eve, Theresa flirts shamelessly with another man. Spontaneously, on the morning of New Year’s Day, Henning decides to take a bike ride on his own for some fresh air and a little me time. The ride is punishing, exhilarating, and exhausting, but Henning uses it to reflect on his life and his extended family experiences with his in-laws, his mother, and his sister. When he sees a sign for an art gallery, he stops by and meets the artist, Lisa. But being in the building, a house, in fact, draws Henning into a vastly different mental and emotional state: Halfway through the book, the tale turns to a terrifying and grisly lost memory as Henning regresses back to a previously unacknowledged childhood trauma.

This spine-tingler captures the peak of what appears to be a spectacularly hallucinatory middle-aged crisis.