One might speculate on why the mouse is called Junction, but not very profitably. Cunningham shows him at a junction in his life, a protected wide-eyed innocent eager for experience and unacquainted with tears, fear, or hunger. In Cunningham's typical pretentious prose, Junction steals from bed one night, "achieves a passage" to the outside world, and revels, "aquiver with delight," in the freedom, the smell of grass, and the sight of stars. A bird and a squirrel warn him of the monstrous rat and the fearsome owl; but "danger is what I have come for," says Junction to himself. A cautionary tale in the making? On the contrary, when the rat does turn up it's to rescue Junction from the swooping owl, and to pity the wounded mouse's newly (and proudly) acquired wretchedness. Junction responds to the pity with love, and the rat responds in kind, "with a smile so wide with joy it gathered Junction into a feeling of forever." Whatever forever feels like, Junction moves in with the rat, and the two become "like father and son, king and princeling." Doesn't Junction miss his old treats and toys and pillows? "Never," he answers the rat. "The best is here, you with me and me with you. Always." But what has replaced his pampered past? From the mushy core to the sticky surface, it's not much like real life.
Pub Date: March 12, 1980
ISBN: 0394941128
Page Count: 32
Publisher: Pantheon
Review Posted Online: April 19, 2012
Kirkus Reviews Issue: April 1, 1980
Broccoli: No way is James going to eat broccoli. “It’s disgusting,” says James. Well then, James, says his father, let’s consider the alternatives: some wormy dirt, perhaps, some stinky socks, some pre-chewed gum? James reconsiders the broccoli, but—milk? “Blech,” says James. Right, says his father, who needs strong bones? You’ll be great at hide-and-seek, though not so great at baseball and kickball and even tickling the dog’s belly. James takes a mouthful. So it goes through lumpy oatmeal, mushroom lasagna and slimy eggs, with James’ father parrying his son’s every picky thrust. And it is fun, because the father’s retorts are so outlandish: the lasagna-making troll in the basement who will be sent back to the rat circus, there to endure the rodent’s vicious bites; the uneaten oatmeal that will grow and grow and probably devour the dog that the boy won’t be able to tickle any longer since his bones are so rubbery. Schneider’s watercolors catch the mood of gentle ribbing, the looks of bewilderment and surrender and the deadpanned malarkey. It all makes James’ father’s last urging—“I was just going to say that you might like them if you tried them”—wholly fresh and unexpected advice. (Early reader. 5-9)
Pub Date: May 1, 2011
ISBN: 978-0-547-14956-1
Page Count: 48
Publisher: Clarion Books
Review Posted Online: April 4, 2011
Kirkus Reviews Issue: April 1, 2011
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A nice but not requisite purchase.
A retelling of the classic fairy tale in board-book format and with a Mexican setting.
Though simplified for a younger audience, the text still relates the well-known tale: mean-spirited stepmother, spoiled stepsisters, overworked Cinderella, fairy godmother, glass slipper, charming prince, and, of course, happily-ever-after. What gives this book its flavor is the artwork. Within its Mexican setting, the characters are olive-skinned and dark-haired. Cultural references abound, as when a messenger comes carrying a banner announcing a “FIESTA” in beautiful papel picado. Cinderella is the picture of beauty, with her hair up in ribbons and flowers and her typically Mexican many-layered white dress. The companion volume, Snow White, set in Japan and illustrated by Misa Saburi, follows the same format. The simplified text tells the story of the beautiful princess sent to the forest by her wicked stepmother to be “done away with,” the dwarves that take her in, and, eventually, the happily-ever-after ending. Here too, what gives the book its flavor is the artwork. The characters wear traditional clothing, and the dwarves’ house has the requisite shoji screens, tatami mats and cherry blossoms in the garden. The puzzling question is, why the board-book presentation? Though the text is simplified, it’s still beyond the board-book audience, and the illustrations deserve full-size books.
A nice but not requisite purchase. (Board book/fairy tale. 3-5)Pub Date: Sept. 13, 2016
ISBN: 978-1-4814-7915-8
Page Count: 24
Publisher: Little Simon/Simon & Schuster
Review Posted Online: Oct. 11, 2016
Kirkus Reviews Issue: Jan. 1, 2017
BOOK REVIEW
BOOK REVIEW
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