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VIVIANE

At one point, even the baby is “trying to solve the mystery of causes and consequences,” which puzzled readers will...

This debut by a French novelist puts a mystery inside a narrative puzzle.

An epigram from Samuel Beckett introduces this slim novel about the titular protagonist and occasional narrator, a 42-year-old woman who recently gave birth to her first child. She suffers from severe panic attacks and receives medication. Within the narrative, Viviane is more often referred to as “you,” though sometimes as “I” or “we,” and occasionally she refers to herself as “Elisabeth.” Viviane is plainly mad, which means “you” are as well, as “you” (the reader) attempt to discern the motivation behind the crime that the protagonist may (or may not) have committed. “[T]hat’s just what she wants, to bring some order to her memory,” says the narrative at a point where Viviane has become “she.” “Instead of coming to light, however, events are retreating ever deeper into darkness.” This much is relatively clear: Viviane’s husband has separated from her, perhaps because of a younger woman, perhaps because Viviane is crazy, perhaps because the marriage was a mistake from the beginning. Or perhaps all of the preceding. She feels that younger women are a threat to her in the workplace as well as in her marriage: “You know that you’re not twenty anymore and that young women are lying in ambush, ready to take your place and wring your neck.” Affairs abound in the novel, generally between older men and younger women, complicating the plot and adding to intrigue on various levels. At one point, a man who may or may not be having one of these affairs is described (presumably by Viviane) as “either really handsome or absolutely not.” The plot’s mystery resolves itself in surprising fashion, but mysteries of language, consciousness, identity and perspective remain impenetrable.

At one point, even the baby is “trying to solve the mystery of causes and consequences,” which puzzled readers will immediately find relatable.

Pub Date: April 1, 2014

ISBN: 978-1-59558-964-4

Page Count: 160

Publisher: The New Press

Review Posted Online: Feb. 5, 2014

Kirkus Reviews Issue: Feb. 15, 2014

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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CONCLAVE

An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it...

Harris, creator of grand, symphonic thrillers from Fatherland (1992) to An Officer and a Spy (2014), scores with a chamber piece of a novel set in the Vatican in the days after a fictional pope dies.

Fictional, yes, but the nameless pontiff has a lot in common with our own Francis: he’s famously humble, shunning the lavish Apostolic Palace for a small apartment, and he is committed to leading a church that engages with the world and its problems. In the aftermath of his sudden death, rumors circulate about the pope’s intention to fire certain cardinals. At the center of the action is Cardinal Lomeli, Dean of the College of Cardinals, whose job it is to manage the conclave that will elect a new pope. He believes it is also his duty to uncover what the pope knew before he died because some of the cardinals in question are in the running to succeed him. “In the running” is an apt phrase because, as described by Harris, the papal conclave is the ultimate political backroom—albeit a room, the Sistine Chapel, covered with Michelangelo frescoes. Vying for the papal crown are an African cardinal whom many want to see as the first black pope, a press-savvy Canadian, an Italian arch-conservative (think Cardinal Scalia), and an Italian liberal who wants to continue the late pope’s campaign to modernize the church. The novel glories in the ancient rituals that constitute the election process while still grounding that process in the real world: the Sistine Chapel is fitted with jamming devices to thwart electronic eavesdropping, and the pressure to act quickly is increased because “rumours that the pope is dead are already trending on social media.”

An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it is pure temptation.

Pub Date: Nov. 22, 2016

ISBN: 978-0-451-49344-6

Page Count: 304

Publisher: Knopf

Review Posted Online: Sept. 6, 2016

Kirkus Reviews Issue: Sept. 15, 2016

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