by Julia Donaldson ; illustrated by Axel Scheffler ‧ RELEASE DATE: April 1, 2012
A treat.
With a tale that shares more ground with tales of Robin Hood and the Three Billy Goats Gruff than its inspiration, Alfred Noyes’ “The Highwayman,” Donaldson and Scheffler deliver a lot of laughs.
With a rhyming cadence evoking the hoofbeat pattern of Noyes’ rhythmic verse, Donaldson introduces an anthropomorphic, thieving rat on horseback who steals food from all he encounters. He wants sweets but still takes clover from a passing rabbit, nuts from a squirrel and even a leaf from a line of ants. He grows fat while they starve, until a duck comes along. The rat threatens to eat her since she carries no food, but taking a cue from the Billy Goats Gruff, she sends him in search of her sister, who supposedly has a hoard of “biscuits and buns aplenty” hidden in a cave. Led there, he calls into the cave, mistaking the echo as the sister’s response with a list of goodies. When he goes to find the treats, the crafty duck channels Robin Hood to steal back his saddlebags of food for the other animals, leaving the rat to wander blindly through the dark cave. Throughout, humorous illustrations obscure any sense of danger in the story, instead provoking pleasure. In an ending that matches the entire book’s comic tone, the rat secures a job cleaning a bakery, leaving the others free of his thieving ways.
A treat. (Picture book. 3-7)Pub Date: April 1, 2012
ISBN: 978-0-545-47758-1
Page Count: 32
Publisher: Levine/Scholastic
Review Posted Online: Feb. 17, 2013
Kirkus Reviews Issue: March 1, 2013
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by Sybil Rosen ; illustrated by Camille Garoche ‧ RELEASE DATE: March 16, 2021
Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story.
A home-renovation project is interrupted by a family of wrens, allowing a young girl an up-close glimpse of nature.
Renata and her father enjoy working on upgrading their bathroom, installing a clawfoot bathtub, and cutting a space for a new window. One warm night, after Papi leaves the window space open, two wrens begin making a nest in the bathroom. Rather than seeing it as an unfortunate delay of their project, Renata and Papi decide to let the avian carpenters continue their work. Renata witnesses the birth of four chicks as their rosy eggs split open “like coats that are suddenly too small.” Renata finds at a crucial moment that she can help the chicks learn to fly, even with the bittersweet knowledge that it will only hasten their exits from her life. Rosen uses lively language and well-chosen details to move the story of the baby birds forward. The text suggests the strong bond built by this Afro-Latinx father and daughter with their ongoing project without needing to point it out explicitly, a light touch in a picture book full of delicate, well-drawn moments and precise wording. Garoche’s drawings are impressively detailed, from the nest’s many small bits to the developing first feathers on the chicks and the wall smudges and exposed wiring of the renovation. (This book was reviewed digitally with 10-by-20-inch double-page spreads viewed at actual size.)
Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story. (Picture book. 3-7)Pub Date: March 16, 2021
ISBN: 978-0-593-12320-1
Page Count: 40
Publisher: Schwartz & Wade/Random
Review Posted Online: Jan. 12, 2021
Kirkus Reviews Issue: Feb. 1, 2021
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by Eric Carle ; illustrated by Eric Carle ‧ RELEASE DATE: Dec. 15, 2015
Safe to creep on by.
Carle’s famous caterpillar expresses its love.
In three sentences that stretch out over most of the book’s 32 pages, the (here, at least) not-so-ravenous larva first describes the object of its love, then describes how that loved one makes it feel before concluding, “That’s why… / I[heart]U.” There is little original in either visual or textual content, much of it mined from The Very Hungry Caterpillar. “You are… / …so sweet,” proclaims the caterpillar as it crawls through the hole it’s munched in a strawberry; “…the cherry on my cake,” it says as it perches on the familiar square of chocolate cake; “…the apple of my eye,” it announces as it emerges from an apple. Images familiar from other works join the smiling sun that shone down on the caterpillar as it delivers assurances that “you make… / …the sun shine brighter / …the stars sparkle,” and so on. The book is small, only 7 inches high and 5 ¾ inches across when closed—probably not coincidentally about the size of a greeting card. While generations of children have grown up with the ravenous caterpillar, this collection of Carle imagery and platitudinous sentiment has little of his classic’s charm. The melding of Carle’s caterpillar with Robert Indiana’s iconic LOVE on the book’s cover, alas, draws further attention to its derivative nature.
Safe to creep on by. (Picture book. 3-6)Pub Date: Dec. 15, 2015
ISBN: 978-0-448-48932-2
Page Count: 32
Publisher: Grosset & Dunlap
Review Posted Online: Feb. 1, 2021
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