A British picture-book power coupling presents a new baby book replete with necessary messiness.
The reality of parenthood is celebrated in tandem with the idealization of new life. Gently rhyming text offers an introduction to its tiny intended audience. “Welcome to the world. / Welcome to the light. / Welcome to the day. / Welcome to the night.” Babies, toddlers, and preschoolers are invited to experience everything from bouncing on granny knees and listening to granddads playing guitars to ducks, bubbles, bananas, and more. The book is chock-full of funny moments for parents and kids, like the nonchalant parent snagging a bottle while a toddler attempts, unsuccessfully, to leap from the shopping cart. Oxenbury’s watercolor and gouache illustrations have lost none of their flair over the years, wonderfully capturing interactions between small children and parents that are sometimes less than picture-perfect. It’s a tale with an old-fashioned feeling and a more earnest outing than you might find in, for example, Oliver Jeffers’ Here We Are (2017), but it’s fun nevertheless. Yet while the cast is racially diverse and male-presenting characters are seen as caregivers as often as female-presenting ones, the spread saying, “Welcome to the girls. / Welcome to the boys,” with its emphasis on the gender binary, may limit the title’s appeal. (This book was reviewed digitally.)
A pleasant throwback, perhaps in more ways than one, to picture books of bygone days.
(Picture book. 2-4)