Knocks down literary conventions, sexual stereotypes, the fourth wall, and more in enthusiastic defense of the weird.
Serano satirically tackles gender norms, linguistics, hipsters, and more as her fictional character writes a book about dating 99 different people—all named Eric.
Kat Cataclysm is an absurdist short story writer and self-identified “weirdo”—an out bisexual, nonmonogamous “ethical slut” with an interest in baseball, linguistics, and delicious India pale ales. She’s also fictional, a not quite nom de guerre (but still a warrior!) of author Serano, and has a long-held desire to be a novelist despite her self-confessed title of “queen of conflict avoidance,” an unfortunate trait when most novels thrive on conflict. So instead, she commits to a “faux novel” about her “her supposed experiences dating 99 different people named Eric” as she seeks to subvert other conventions of fiction as well, vowing to never overcome adversity or grow as a person along the way. Kat uses these Erics as opportunities to draw out poignant points about gentrification, internalized homophobia, bisexual stereotypes, and the disposability of the gig economy while also obsessing over penis-chewing banana slugs or dealing with the fallout of an internet listicle on the common cold she authored literally going viral. When she sics a roomful of zombified children on a tiresome screenwriter, it’s clear she’s aware of her role as omniscient narrator. Serano has written about gender identity and feminism in her nonfiction books Whipping Girl(2007) and Excluded(2013); she explores many of the same ideas in her debut work of fiction. The writing is conversational in style, and though Kat claims to be uninterested in banal descriptions, the scene-setting in various California locales works well. Kat recalls the Manic Pixie Dream Girls so often used in male-oriented stories, but she’s decidedly more warts and all in her presentation, almost too quirky to function, and enthusiastic about her role as ruler of all the Erics. The result is a lovable composite of Tom Stoppard’s Rosencrantz and Guildenstern Are Dead (1966) and a less murder-y version of Marvel’s Deadpool, using absurdism and humor to break down the fourth wall and the very idea of “normal,” with all its silly little boxes and prejudices. If that makes the book sound serious, it isn’t—and that might be the most effective way it makes its readers think about identity.
Knocks down literary conventions, sexual stereotypes, the fourth wall, and more in enthusiastic defense of the weird.Pub Date: Jan. 22, 2020
ISBN: 978-0-9968810-4-3
Page Count: 278
Publisher: Switch Hitter Press
Review Posted Online: Feb. 12, 2021
Kirkus Reviews Issue: April 15, 2021
Review Program: Kirkus Indie
Uneven but fitfully amusing.
Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.
Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.
Uneven but fitfully amusing.Pub Date: July 30, 2024
ISBN: 9781250899576
Page Count: 384
Publisher: Henry Holt
Review Posted Online: Sept. 13, 2024
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
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