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BRING ME THE HEAD OF QUENTIN TARANTINO

A writer worth seeking out, even for Tarantino aficionados.

A gathering of often loopy, sometimes Rabelaisian stories by Mexican postmodernist Herbert.

Herbert, lead singer in a rock band in Saltillo, Mexico, is a deft explorer of the darker corners of Mexican society: His characters smoke crack, have unprotected sex with HIV-positive partners while making “gonzo porn movies,” drink far too much, exhibit poor manners. One even throws up on Mother Teresa, “a thick stream of puke composed of partially digested clams and wine that falls onto the extended hand and spotless headdress of the damned old witch crammed to the brim with lepers.” It’s decidedly not the polite, elevated world of Carlos Fuentes, and its layerings are less those of social class, as with Fuentes, than of degrees of criminality. In one story, for instance, a journalist seeking a source of funding for his crack habit of “between twenty and thirty rocks a week” engineers a speaking gig in a border town in a scheme that comes to involve the Secretariat of Public Education, the mayor, and a host of other figures—and, in the end, a lot more money than the journalist ever dreamed of. The story ends in a spasm of violence, the journalist in hiding, living with “a toothless junkie twenty years my junior.” The title story is a tour de force of unlikely circumstance in which a hapless film critic is press-ganged into a mission to decapitate the famed director for an inadvertent error involving the doppelgänger of a fearsome cartel boss. Punctuated by passages in which the critic spins out a theory of parody that involves such highbrow figures as Hermann Broch and Harold Bloom, the yarn eventually finds that boss, Jacobo Montaña (think Scarface), in jail and his henchmen Rosendo and Gildardo (think Rosencrantz and Guildenstern) dead. As with a Tarantino film, the explanation for how all that has come about is serpentine, goofy, and good fun, if spattered with blood, all pushing the envelope of probability.

A writer worth seeking out, even for Tarantino aficionados.

Pub Date: Nov. 3, 2020

ISBN: 978-1-64445-041-3

Page Count: 192

Publisher: Graywolf

Review Posted Online: Sept. 1, 2020

Kirkus Reviews Issue: Sept. 15, 2020

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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  • New York Times Bestseller

Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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PITCHER PERFECT

Bailey hits it out of the park with her latest spicy romance.

Two ambitious athletes plus one fake-dating arrangement—what could go wrong?

Though it’s only his first season for the Boston Bearcats hockey team, Robbie Corrigan has a well-established reputation as a playboy. He’s got major skills on the ice, and he’s also much more likely to love ’em and leave ’em than he is to build any long, meaningful relationships. Naturally, he’s just met the one woman who seems completely resistant to his charm: Skylar Page, a Boston University softball pitcher. When they meet over a friendly Saturday morning baseball game, Robbie instantly makes a poor impression by bragging to his teammates about his latest conquest within Skylar’s hearing. He thinks she’s gorgeous, though, and when he sets his sights on her, he’s surprised that she doesn’t seem to know it. Despite her initial distaste for Robbie, Skylar grudgingly confesses that she could use his help. If they pretend to date, maybe her current crush—her brother’s best friend—will finally sit up and take notice of her in a romantic way. The timing is less than ideal, since Robbie will have to team up with Skylar in the Page family’s latest wilderness competition, but it turns out that Robbie’s willingness to play fake boyfriend stems from some very real feelings. He wants to prove to her that he’s a changed man, and redeeming himself in her eyes starts with making sure she knows that she can really trust him. The latest addition to Bailey’s Big Shots series is a sexy, feel-good romance brimming over with the author’s trademark humor and dirty talk. While Skylar and Robbie’s dynamic doesn’t quite reach the level of enemies-to-lovers—he’s so head-over-heels for her that there’s no room for any real mean-spiritedness—their playful snark doubles as a welcome dash of foreplay in the lead-up to some seriously steamy scenes. Robbie’s efforts to show Skylar that he’s turned over a new leaf also result in some of the book’s best moments, emphasizing his commitment to becoming the type of man he knows she deserves.

Bailey hits it out of the park with her latest spicy romance.

Pub Date: Sept. 9, 2025

ISBN: 9780063380837

Page Count: 336

Publisher: Avon/HarperCollins

Review Posted Online: May 30, 2025

Kirkus Reviews Issue: July 1, 2025

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