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THE BEAST TAKES A BRIDE

From the Palace of Rogues series , Vol. 8

A keeper, fusing the beauties of historical romance with present-day ideas of individual happiness.

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A marriage of estrangement becomes real just as it's ending.

Alexandra Bellamy kissed her first love goodbye on the day of her wedding to war hero Colonel Magnus Brightwall, widely known as the Beast. The seeming betrayal stalled her new life and led to five years of separation from her husband, who went off to Spain as a diplomat without her. Now Magnus has returned to England and proposed a permanent separation, but not before they pretend to be a happy couple so as not to jeopardize his imminent elevation to Earl of Montcroix. Saddened that her action hurt her husband, Alexandra agrees to the plan—and thus begins their stay at the guesthouse known as the Grand Palace on the Thames. Their forced proximity and the presence of the inn's charmingly eccentric inhabitants bring Alexandra and Magnus to a pained understanding of the happiness they could have had together. This "Beauty and the Beast" rewrite is evocative of some of Lisa Kleypas' and Sherry Thomas' historical romances, where marriages must be rebuilt by two complicated people healing the wrongs they did to each other and baring their true selves. Long's thoughtful prose is studded with striking analogies for emotions and character traits that reward attentive reading. For instance, unfulfilled love is compared to the weather: "Did it merely spend itself like a storm, and then make way for new weather?" There are also some chuckle-inducing moments, with the style ably buttressing the plot, which asserts that romance is hollow without a man respecting a woman's choices and selfhood.

A keeper, fusing the beauties of historical romance with present-day ideas of individual happiness.

Pub Date: Oct. 22, 2024

ISBN: 9780063281172

Page Count: 368

Publisher: Avon/HarperCollins

Review Posted Online: Sept. 13, 2024

Kirkus Reviews Issue: Oct. 15, 2024

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REMINDERS OF HIM

With captivating dialogue, angst-y characters, and a couple of steamy sex scenes, Hoover has done it again.

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After being released from prison, a young woman tries to reconnect with her 5-year-old daughter despite having killed the girl’s father.

Kenna didn’t even know she was pregnant until after she was sent to prison for murdering her boyfriend, Scotty. When her baby girl, Diem, was born, she was forced to give custody to Scotty’s parents. Now that she’s been released, Kenna is intent on getting to know her daughter, but Scotty’s parents won’t give her a chance to tell them what really happened the night their son died. Instead, they file a restraining order preventing Kenna from so much as introducing herself to Diem. Handsome, self-assured Ledger, who was Scotty’s best friend, is another key adult in Diem’s life. He’s helping her grandparents raise her, and he too blames Kenna for Scotty’s death. Even so, there’s something about her that haunts him. Kenna feels the pull, too, and seems to be seeking Ledger out despite his judgmental behavior. As Ledger gets to know Kenna and acknowledges his attraction to her, he begins to wonder if maybe he and Scotty’s parents have judged her unfairly. Even so, Ledger is afraid that if he surrenders to his feelings, Scotty’s parents will kick him out of Diem’s life. As Kenna and Ledger continue to mourn for Scotty, they also grieve the future they cannot have with each other. Told alternatively from Kenna’s and Ledger’s perspectives, the story explores the myriad ways in which snap judgments based on partial information can derail people’s lives. Built on a foundation of death and grief, this story has an undercurrent of sadness. As usual, however, the author has created compelling characters who are magnetic and sympathetic enough to pull readers in. In addition to grief, the novel also deftly explores complex issues such as guilt, self-doubt, redemption, and forgiveness.

With captivating dialogue, angst-y characters, and a couple of steamy sex scenes, Hoover has done it again.

Pub Date: Jan. 18, 2022

ISBN: 978-1-5420-2560-7

Page Count: 335

Publisher: Montlake Romance

Review Posted Online: Oct. 12, 2021

Kirkus Reviews Issue: Nov. 1, 2021

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IT STARTS WITH US

Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.

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The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.

Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.

Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.

Pub Date: Oct. 18, 2022

ISBN: 978-1-668-00122-6

Page Count: 352

Publisher: Atria

Review Posted Online: July 26, 2022

Kirkus Reviews Issue: Aug. 15, 2022

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