by Julie Case ; illustrated by Lee White ‧ RELEASE DATE: March 7, 2017
A well-intentioned effort from a debut author, this does not rise above the plethora of existing tales about whales—beached,...
Emma lives near the sea, where she enjoys beachcombing and playing with her dog, Nemo.
Sometimes the fair-skinned redhead thinks about “olden times,” imagining herself in a boat alongside a whaling vessel, persuading its harpooner not to harm cetaceans. At other moments, her thoughts have an environmental twist: “She liked to picture an ocean teeming with life, with no balloons or bottles spit to shore.” White’s serene watercolor-and–mixed-media compositions feature a muted palette made up primarily of greens, grays, blues, and black. Scenes of the past are rendered in mustard and brown. Stylized trees dot the seascape. The central action concerns a beached baby whale that Emma discovers during a walk. She caresses the creature, discerning its thoughts and intuiting its fears and gender. Implausibly, she doesn’t think about going for help but rather waits for the tide to come in. She then single-handedly pushes the whale into the current, sending it back to its mother. Unrealistic plot elements mix uncomfortably with the ecological messages, producing neither the playfulness of fantasy nor the accuracy of realism. The choppy prose—“At low tide, that’s when they found the best treasures”—does not enhance the package.
A well-intentioned effort from a debut author, this does not rise above the plethora of existing tales about whales—beached, biblical, or bellicose. (Picture book. 4-6)Pub Date: March 7, 2017
ISBN: 978-0-553-53847-2
Page Count: 40
Publisher: Schwartz & Wade/Random
Review Posted Online: Nov. 15, 2016
Kirkus Reviews Issue: Dec. 1, 2016
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by Mo Willems ; illustrated by Mo Willems ‧ RELEASE DATE: Sept. 5, 2023
A stocking stuffer par excellence, just right for dishing up with milk and cookies.
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New York Times Bestseller
Pigeon finds something better to drive than some old bus.
This time it’s Santa delivering the fateful titular words, and with a “Ho. Ho. Whoa!” the badgering begins: “C’mon! Where’s your holiday spirit? It would be a Christmas MIRACLE! Don’t you want to be part of a Christmas miracle…?” Pigeon is determined: “I can do Santa stuff!” Like wrapping gifts (though the accompanying illustration shows a rather untidy present), delivering them (the image of Pigeon attempting to get an oversize sack down a chimney will have little ones giggling), and eating plenty of cookies. Alas, as Willems’ legion of young fans will gleefully predict, not even Pigeon’s by-now well-honed persuasive powers (“I CAN BE JOLLY!”) will budge the sleigh’s large and stinky reindeer guardian. “BAH. Also humbug.” In the typically minimalist art, the frustrated feathered one sports a floppily expressive green and red elf hat for this seasonal addition to the series—but then discards it at the end for, uh oh, a pair of bunny ears. What could Pigeon have in mind now? “Egg delivery, anyone?”
A stocking stuffer par excellence, just right for dishing up with milk and cookies. (Picture book. 4-6)Pub Date: Sept. 5, 2023
ISBN: 9781454952770
Page Count: 40
Publisher: Union Square Kids
Review Posted Online: Sept. 12, 2023
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by John Segal and illustrated by John Segal ‧ RELEASE DATE: March 1, 2011
Echoes of Runaway Bunny color this exchange between a bath-averse piglet and his patient mother. Using a strategy that would probably be a nonstarter in real life, the mother deflects her stubborn offspring’s string of bath-free occupational conceits with appeals to reason: “Pirates NEVER EVER take baths!” “Pirates don’t get seasick either. But you do.” “Yeesh. I’m an astronaut, okay?” “Well, it is hard to bathe in zero gravity. It’s hard to poop and pee in zero gravity too!” And so on, until Mom’s enticing promise of treasure in the deep sea persuades her little Treasure Hunter to take a dive. Chunky figures surrounded by lots of bright white space in Segal’s minimally detailed watercolors keep the visuals as simple as the plotline. The language isn’t quite as basic, though, and as it rendered entirely in dialogue—Mother Pig’s lines are italicized—adult readers will have to work hard at their vocal characterizations for it to make any sense. Moreover, younger audiences (any audiences, come to that) may wonder what the piggy’s watery closing “EUREKA!!!” is all about too. Not particularly persuasive, but this might coax a few young porkers to get their trotters into the tub. (Picture book. 4-6)
Pub Date: March 1, 2011
ISBN: 978-0-399-25425-3
Page Count: 32
Publisher: Philomel
Review Posted Online: Jan. 25, 2011
Kirkus Reviews Issue: Feb. 1, 2011
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