by Julie Cummins & illustrated by Ted Rand ‧ RELEASE DATE: Nov. 1, 2002
Cummins (Tomboy of the Air, 2001, etc.) gives us her take on the comparison of country life to city life in this typical, but cheerful, rendering. Readers follow the lives of Ben, who lives on a farm, and Jody, who lives in an apartment building, as a side-by-side description of each child’s daily routine unfolds. When Ben wakes up he hears the sounds of birds and cows. When Jody wakes up she hears horns and sirens. Ben gets his mail at a mailbox down the road. Jody gets hers in the lobby of her apartment building—and so on. The author’s simple language has an instructional feel and so do Rand’s (Good Night, Hattie, My Dearie, My Dove, p. 345, etc.) skillfully detailed and literal watercolors. This combination comes off as a bit monotonous, but very accessible. What gives the narrative a nice twist is how Ben and Jody’s lives intersect towards the end. Every summer Ben goes away to Camp Eagle Ridge. Then readers find out that Jody “is excited about her first time at Camp Eagle Ridge.” The two meet at the camp, become friends, and afterwards Ben sends Jody a map of constellations he can see from his bedroom window. She sends him a city street map and marks her favorite places. Country life and city life seem as similar as they are different, but young readers might side with country life. Ben gets to cut down his own Christmas tree in the forest instead of buying it on the street like Jody. Ben also goes to Camp Eagle Ridge every year. What’s more, he has a dog. There’s something here for both kinds of kids to think about. (Picture book. 4-8)
Pub Date: Nov. 1, 2002
ISBN: 0-8050-6467-2
Page Count: 32
Publisher: Henry Holt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 2002
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by Janice Boland & illustrated by G. Brian Karas ‧ RELEASE DATE: April 1, 1996
A book that will make young dog-owners smile in recognition and confirm dogless readers' worst suspicions about the mayhem caused by pets, even winsome ones. Sam, who bears passing resemblance to an affable golden retriever, is praised for fetching the family newspaper, and goes on to fetch every other newspaper on the block. In the next story, only the children love Sam's swimming; he is yelled at by lifeguards and fishermen alike when he splashes through every watering hole he can find. Finally, there is woe to the entire family when Sam is bored and lonely for one long night. Boland has an essential message, captured in both both story and illustrations of this Easy-to-Read: Kids and dogs belong together, especially when it's a fun-loving canine like Sam. An appealing tale. (Picture book. 4-8)
Pub Date: April 1, 1996
ISBN: 0-8037-1530-7
Page Count: 40
Publisher: Dial Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 1996
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by Carson Ellis ; illustrated by Carson Ellis ‧ RELEASE DATE: Feb. 24, 2015
Visually accomplished but marred by stereotypical cultural depictions.
Ellis, known for her illustrations for Colin Meloy’s Wildwood series, here riffs on the concept of “home.”
Shifting among homes mundane and speculative, contemporary and not, Ellis begins and ends with views of her own home and a peek into her studio. She highlights palaces and mansions, but she also takes readers to animal homes and a certain famously folkloric shoe (whose iconic Old Woman manages a passel of multiethnic kids absorbed in daring games). One spread showcases “some folks” who “live on the road”; a band unloads its tour bus in front of a theater marquee. Ellis’ compelling ink and gouache paintings, in a palette of blue-grays, sepia and brick red, depict scenes ranging from mythical, underwater Atlantis to a distant moonscape. Another spread, depicting a garden and large building under connected, transparent domes, invites readers to wonder: “Who in the world lives here? / And why?” (Earth is seen as a distant blue marble.) Some of Ellis’ chosen depictions, oddly juxtaposed and stripped of any historical or cultural context due to the stylized design and spare text, become stereotypical. “Some homes are boats. / Some homes are wigwams.” A sailing ship’s crew seems poised to land near a trio of men clad in breechcloths—otherwise unidentified and unremarked upon.
Visually accomplished but marred by stereotypical cultural depictions. (Picture book. 4-8)Pub Date: Feb. 24, 2015
ISBN: 978-0-7636-6529-6
Page Count: 40
Publisher: Candlewick
Review Posted Online: Nov. 17, 2014
Kirkus Reviews Issue: Dec. 1, 2014
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