An entertaining and intelligent biography of a pioneering woman aviator. When Blanche Stuart Scott wrecked her seventh bicycle, her father swore he wouldn’t buy her another one—so he bought her a Cadillac instead. The year was 1902 and Blanche was 13. Cummins (The Inside-Outside Book of Libraries, 1996, etc.) opens with this anecdote and goes on to spin the tale of a fiercely competitive—and virtually fearless—woman who first drove a car across the country and then went on to become the first woman in the US to fly an airplane. Billed as “The Tomboy of the Air,” Scott flew with the best of the men in aerial circuses and was also intensely involved in the testing of the rapidly developing airplane technology. Illustrated with archival photos and sprinkled liberally with quotes from Scott’s own (unpublished) memoir, this slim, efficient volume provides an overview of the early, almost lawless days of aviation, when crowds assembled at barnstorming events in the gruesome hopes of a crash or two. Throughout, Scott emerges as a woman not to be deterred from her goals, despite the nearly overwhelming social pressures to assume the conventional upper-class woman’s role as wife and bridge-player. Thoroughly researched and solidly written, the simplicity of the text and the inviting format should appeal to middle-grade as well as older readers. (notes, chronology, bibliography, index) (Biography. 8-14)
Pub Date: July 31, 2001
ISBN: 0-06-029138-9
Page Count: 80
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2001
For every dreaming girl (and boy) with a pencil in hand (or keyboard) and a story to share.
A multiaward–winning author recalls her childhood and the joy of becoming a writer.
Writing in free verse, Woodson starts with her 1963 birth in Ohio during the civil rights movement, when America is “a country caught / / between Black and White.” But while evoking names such as Malcolm, Martin, James, Rosa and Ruby, her story is also one of family: her father’s people in Ohio and her mother’s people in South Carolina. Moving south to live with her maternal grandmother, she is in a world of sweet peas and collards, getting her hair straightened and avoiding segregated stores with her grandmother. As the writer inside slowly grows, she listens to family stories and fills her days and evenings as a Jehovah’s Witness, activities that continue after a move to Brooklyn to reunite with her mother. The gift of a composition notebook, the experience of reading John Steptoe’s Stevieand Langston Hughes’ poetry, and seeing letters turn into words and words into thoughts all reinforce her conviction that “[W]ords are my brilliance.” Woodson cherishes her memories and shares them with a graceful lyricism; her lovingly wrought vignettes of country and city streets will linger long after the page is turned.
For every dreaming girl (and boy) with a pencil in hand (or keyboard) and a story to share. (Memoir/poetry. 8-12)Pub Date: Aug. 28, 2014
ISBN: 978-0-399-25251-8
Page Count: 336
Publisher: Nancy Paulsen Books
Review Posted Online: June 24, 2014
Kirkus Reviews Issue: July 15, 2014
An authentic and moving time capsule of middle school angst, trauma, and joy.
Through the author’s own childhood diary entries, a seventh grader details her inner life before and after 9/11.
Alyssa’s diary entries start in September 2000, in the first week of her seventh grade year. She’s 11 and dealing with typical preteen concerns—popularity and anxiety about grades—along with other things more particular to her own life. She’s shuffling between Queens and Manhattan to share time between her divorced parents and struggling with thick facial hair and classmates who make her feel like she’s “not a whole person” due to her mixed White and Puerto Rican heritage. Alyssa is endlessly earnest and awkward as she works up the courage to talk to her crush, Alejandro; gushes about her dreams of becoming a shoe designer; and tries to solve her burgeoning unibrow problem. The diaries also have a darker side, as a sense of impending doom builds as the entries approach 9/11, especially because Alyssa’s father works in finance in the World Trade Center. As a number of the diary entries are taken directly from the author’s originals, they effortlessly capture the loud, confusing feelings middle school brings out. The artwork, in its muted but effective periwinkle tones, lends a satisfying layer to the diary’s accessible and delightful format.
An authentic and moving time capsule of middle school angst, trauma, and joy. (author's note) (Graphic memoir. 8-13)Pub Date: Aug. 17, 2021
ISBN: 978-1-250-77427-9
Page Count: 288
Publisher: Roaring Brook Press
Review Posted Online: June 15, 2021
Kirkus Reviews Issue: July 1, 2021
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