A welcome addition to the modern collection of John Muir’s adventures.
A noted naturalist nearly loses his life exploring a waterfall.
In April 1871, when explorer and early environmentalist John Muir was living in Yosemite Valley, he decided to climb up to and under its falls with near-disastrous results. Danneberg has taken an incident Muir described twice in articles about Yosemite for the Century Illustrated Monthly Magazine, in 1890 and 1912, and turned it into a surprisingly suspenseful survival story for a 21st-century audience. There are two parallel texts at the beginning—one that works for reading aloud and another, in a slightly smaller font, that provides more explanation and background. But at the climax, it becomes one story, and a very scary one at that, as the falling water shifts and pins Muir against the granite wall. The rough strokes of the pastel-and–colored-pencil illustrations emphasize the texture of the rock, water and wood of the natural world Muir loved. Though sometimes dark (this was an evening adventure), these images show nicely at a distance. Pictured at the beginning and the end are quotations from Muir’s writings, penned in script that will probably stump young readers, emphasizing his steady habit of journal-keeping. A final author’s note explains more about Muir’s life and work, as well as about Yosemite.
A welcome addition to the modern collection of John Muir’s adventures. (Internet resources, bibliography, citations) (Informational picture book. 4-9)Pub Date: March 10, 2015
ISBN: 978-1-58089-586-6
Page Count: 32
Publisher: Charlesbridge
Review Posted Online: Jan. 9, 2015
Kirkus Reviews Issue: Jan. 15, 2015
Readers will agree that “Melba Doretta Liston was something special.”
Bewitched by the rhythms of jazz all around her in Depression-era Kansas City, little Melba Doretta Liston longs to make music in this fictional account of a little-known jazz great.
Picking up the trombone at 7, the little girl teaches herself to play with the support of her Grandpa John and Momma Lucille, performing on the radio at 8 and touring as a pro at just 17. Both text and illustrations make it clear that it’s not all easy for Melba; “The Best Service for WHITES ONLY” reads a sign in a hotel window as the narrative describes a bigotry-plagued tour in the South with Billie Holiday. But joy carries the day, and the story ends on a high note, with Melba “dazzling audiences and making headlines” around the world. Russell-Brown’s debut text has an innate musicality, mixing judicious use of onomatopoeia with often sonorous prose. Morrison’s sinuous, exaggerated lines are the perfect match for Melba’s story; she puts her entire body into her playing, the exaggerated arch of her back and thrust of her shoulders mirroring the curves of her instrument. In one thrilling spread, the evening gown–clad instrumentalist stands over the male musicians, her slide crossing the gutter while the back bow disappears off the page to the left. An impressive discography complements a two-page afterword and a thorough bibliography.
Readers will agree that “Melba Doretta Liston was something special.” (Picture book. 4-8)Pub Date: July 1, 2014
ISBN: 978-1-60060-898-8
Page Count: 40
Publisher: Lee & Low Books
Review Posted Online: June 3, 2014
Kirkus Reviews Issue: June 15, 2014
A resplendent masterpiece.
Based on her experience of leaving Mexico for the United States, Morales’ latest offers an immigrant’s tale steeped in hope, dreams, and love.
This story begins with a union between mother and son, with arms outstretched in the midst of a new beginning. Soon after, mother and son step on a bridge, expansive “like the universe,” to cross to the other side, to become immigrants. An ethereal city appears, enfolded in fog. The brown-skinned woman and her child walk through this strange new land, unwilling to speak, unaccustomed to “words unlike those of our ancestors.” But soon their journey takes them to the most marvelous of places: the library. In a series of stunning double-page spreads, Morales fully captures the sheer bliss of discovery as their imaginations take flight. The vibrant, surreal mixed-media artwork, including Mexican fabric, metal sheets, “the comal where I grill my quesadillas,” childhood drawings, and leaves and plants, represents a spectacular culmination of the author’s work thus far. Presented in both English and Spanish editions (the latter in Teresa Mlawer’s translation), equal in evocative language, the text moves with purpose. No word is unnecessary, each a deliberate steppingstone onto the next. Details in the art provide cultural markers specific to the U.S., but the story ultimately belongs to one immigrant mother and her son. Thanks to books and stories (some of her favorites are appended), the pair find their voices as “soñadores of the world.”
A resplendent masterpiece. (author’s note) (Picture book. 4-8)Pub Date: Sept. 4, 2018
ISBN: 978-0-8234-4055-9
Page Count: 40
Publisher: Neal Porter/Holiday House
Review Posted Online: July 31, 2018
Kirkus Reviews Issue: Aug. 15, 2018
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