A stunning, heartfelt, and poignant debut.
Caring for a profoundly disabled child 24/7 is both exhausting and tension-producing for every member of a family. Worse, the lack of affordable and readily available social supports all too often puts the burden of care on the child’s siblings and parents.
For dad Perry Novotny, a successful Atlanta homebuilder, his wife, Caroline Clissold, a Shakespeare scholar and Emory professor, and their two older kids, Ivy and Hugo, the challenge of rearing their youngest, Ben, a nonverbal boy with an IQ of 32, has left almost everyone frayed and close to despair. But not Hugo. As the oldest son, he seems to enjoy engaging with his kid brother. In fact, Hugo stays by Ben’s side whenever possible, soothing him during and after his near-constant grand mal seizures, interpreting the varying meanings of his sole word, "Guh," and generally keeping him entertained. After Ben is booted from his umpteenth group home—Ben bites, scratches, and hits, unaware of his capacity to cause serious physical injury to others—teenage Hugo makes Ben his project. Others in the family know that this is not a good plan, but, somehow, they allow it to unfold. For their part, Ivy withdraws into schoolwork while Caroline withdraws into scholarly research and soothes her nerves with drugs and alcohol. Perry, meanwhile, tries to keep a smile on his face no matter what. The tensions are palpable, and an inevitable crisis looms over much of the novel. When it occurs, it packs a punch and provides an incandescent spotlight on how few resources exist for families like the Novotny-Clissolds. The novel is heartbreaking and enraging, even chilling, as it exposes, in straightforward and never-maudlin terms, the stresses and strains of providing constant care to someone who will never be independent. Different coping styles are also beautifully explicated, without judgment.
A stunning, heartfelt, and poignant debut.Pub Date: Oct. 1, 2019
ISBN: 978-1-944388-74-4
Page Count: 300
Publisher: Fomite
Review Posted Online: July 14, 2019
Kirkus Reviews Issue: Aug. 1, 2019
BOOK REVIEW
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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