by Julie Flett ; illustrated by Julie Flett ‧ RELEASE DATE: Sept. 1, 2013
A sweet commemoration of a shared experience, presented with care and infused with intimacy.
Select words paired to sonorous equivalents in the Swampy Cree dialect highlight this serene picture of a blueberry-picking expedition.
Since before he could walk, little Clarence has accompanied his grandma in season to a certain clearing to pick “wild berries / pikaci-minísa.” Once grandma has checked for bears (“maskwak”), the two set to picking—and eating—with breaks to watch an ant (“eník”) and other wildlife. When their buckets are full, they say “thank you / nanaskomowak” and depart—leaving a handful of berries for the birds. In the illustrations, two figures walk among tall, widely spaced tree trunks through grasses neatly drawn in single, straight brushstrokes to a clearing mottled with low berry plants. A red sun hangs in a white sky that is visually an extension of the white facing page on which the Cree, printed in red italics, draws the eye to the short, widely spaced lines of narrative. Except for a passing fox and the occasional bird, animals are depicted as silhouettes, which adds to the episode’s overall visual simplicity. Flett, an illustrator of Cree-Métis heritage, created a cultural and artistic showcase in Owls See Clearly at Night: A Michif Alphabet (2010); despite the language notes, this offering is a more general one.
A sweet commemoration of a shared experience, presented with care and infused with intimacy. (pronunciation guide, wild blueberry jam recipe) (Picture book. 5-7)Pub Date: Sept. 1, 2013
ISBN: 978-1-897476-89-5
Page Count: 32
Publisher: Simply Read Books
Review Posted Online: Oct. 1, 2013
Kirkus Reviews Issue: Oct. 15, 2013
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by David Milgrim & illustrated by David Milgrim ‧ RELEASE DATE: March 1, 2003
Emergent readers will like the humor in little Pip’s pointed requests, and more engaging adventures for Otto and Pip will be...
In his third beginning reader about Otto the robot, Milgrim (See Otto, 2002, etc.) introduces another new friend for Otto, a little mouse named Pip.
The simple plot involves a large balloon that Otto kindly shares with Pip after the mouse has a rather funny pointing attack. (Pip seems to be in that I-point-and-I-want-it phase common with one-year-olds.) The big purple balloon is large enough to carry Pip up and away over the clouds, until Pip runs into Zee the bee. (“Oops, there goes Pip.”) Otto flies a plane up to rescue Pip (“Hurry, Otto, Hurry”), but they crash (and splash) in front of some hippos with another big balloon, and the story ends as it begins, with a droll “See Pip point.” Milgrim again succeeds in the difficult challenge of creating a real, funny story with just a few simple words. His illustrations utilize lots of motion and basic geometric shapes with heavy black outlines, all against pastel backgrounds with text set in an extra-large typeface.
Emergent readers will like the humor in little Pip’s pointed requests, and more engaging adventures for Otto and Pip will be welcome additions to the limited selection of funny stories for children just beginning to read. (Easy reader. 5-7)Pub Date: March 1, 2003
ISBN: 0-689-85116-2
Page Count: 32
Publisher: Atheneum
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 2003
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by Antoinette Portis ; illustrated by Antoinette Portis ‧ RELEASE DATE: Dec. 1, 2006
Appropriately bound in brown paper, this makes its profound point more directly than such like-themed tales as Marisabina...
Dedicated “to children everywhere sitting in cardboard boxes,” this elemental debut depicts a bunny with big, looping ears demonstrating to a rather thick, unseen questioner (“Are you still standing around in that box?”) that what might look like an ordinary carton is actually a race car, a mountain, a burning building, a spaceship or anything else the imagination might dream up.
Portis pairs each question and increasingly emphatic response with a playscape of Crockett Johnson–style simplicity, digitally drawn with single red and black lines against generally pale color fields.
Appropriately bound in brown paper, this makes its profound point more directly than such like-themed tales as Marisabina Russo’s Big Brown Box (2000) or Dana Kessimakis Smith’s Brave Spaceboy (2005). (Picture book. 5-7)Pub Date: Dec. 1, 2006
ISBN: 0-06-112322-6
Page Count: 32
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2006
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