This combination of poetry and art in praise of the familiar, natural world is sweetly, successfully dazzling.
Forty-eight short poems follow the four seasons, beginning and concluding on March 20, a bird singing, “each tweet poking / a tiny hole / through the edge of winter,” as spring comes round again.
Fogliano’s intimate, graceful verse and Morstad’s precise, bright illustrations evoke the ways that weather, water, sky, and growing things change throughout the year. Fogliano catalogs both dramatic and quotidian pleasures and acknowledges the boredom that comes with too much mud, rain, or winter. Each poem is dated, as in a journal; every word, including the pronoun “I,” is lowercase; commas, parentheses, and occasional sets of quotation marks are the only punctuation. These quietly conversational poems include moments of lively energy—wind on a hilltop or the jubilant dizziness of a summer meadow. Morstad’s exquisite gouache-and–pencil-crayon art is well-matched to the delicacy of the poetry. A lovely young girl with straight black hair and brown skin appears alone or with friends throughout; readers may identify her as the voice in many of the poems. Bright flowers lean on slender stalks; in a double-page spread that evokes Time of Wonder, stars wink in the vastness of a late-summer sky. The tiniest points of color draw the eye so that even mud and snow are hardly dreary.
This combination of poetry and art in praise of the familiar, natural world is sweetly, successfully dazzling. (Picture book/poetry. 4-10)Pub Date: March 1, 2016
ISBN: 978-1-59643-852-1
Page Count: 56
Publisher: Neal Porter/Roaring Brook
Review Posted Online: Jan. 8, 2016
Kirkus Reviews Issue: Jan. 15, 2016
It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists.
How to raise money for a coveted poster: put your friends to work!
John, founder of the FUBU fashion line and a Shark Tank venture capitalist, offers a self-referential blueprint for financial success. Having only half of the $10 he needs for a Minka J poster, Daymond forks over $1 to buy a plain T-shirt, paints a picture of the pop star on it, sells it for $5, and uses all of his cash to buy nine more shirts. Then he recruits three friends to decorate them with his design and help sell them for an unspecified amount (from a conveniently free and empty street-fair booth) until they’re gone. The enterprising entrepreneur reimburses himself for the shirts and splits the remaining proceeds, which leaves him with enough for that poster as well as a “brand-new business book,” while his friends express other fiscal strategies: saving their share, spending it all on new art supplies, or donating part and buying a (math) book with the rest. (In a closing summation, the author also suggests investing in stocks, bonds, or cryptocurrency.) Though Miles cranks up the visual energy in her sparsely detailed illustrations by incorporating bright colors and lots of greenbacks, the actual advice feels a bit vague. Daymond is Black; most of the cast are people of color. (This book was reviewed digitally.)
It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists. (Picture book. 7-9)Pub Date: March 21, 2023
ISBN: 978-0-593-56727-2
Page Count: 40
Publisher: Random House
Review Posted Online: Dec. 13, 2022
Kirkus Reviews Issue: Jan. 1, 2023
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
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