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MISTER T.V.

This nebulous biography fails to resolve into a clear picture.

Of the many inventors experimenting in the early 20th century with what became television, John Logie Baird was the first to build a working mechanical machine that transmitted live, moving pictures.

Unfortunately, those are the only significant facts revealed in this sketchy, disappointing biography. Baird, identified by only his first name throughout the narrative, grew up sickly in Scotland in a home full of books. The nature of his illness is never revealed, nor are the titles of the books he read that may have inspired his interest in inventing. Baird’s first invention was a homemade telephone exchange, followed by a machine to generate electricity for his home. Readers never learn when and how he created them, however. His other inventions included a glass razor and shoes filled with air for comfort. While convalescing from another unnamed illness, Baird read about an unidentified inventor attempting to build a machine that could show “real-life pictures” to people in their homes. Baird succeeded in building the first machine able to do this, but how he achieved it is vaguely explained. A timeline reveals that Baird also gave the first demonstration of color TV in 1944. Complementing the inadequate information are bland cartoon illustrations that depict an all-White cast until one concluding picture of an interracial family watching a flat screen. There are no source notes or bibliography.

This nebulous biography fails to resolve into a clear picture. (Picture book/biography. 4-8)

Pub Date: Sept. 1, 2020

ISBN: 978-1-84886-646-1

Page Count: 32

Publisher: Maverick Publishing

Review Posted Online: June 29, 2020

Kirkus Reviews Issue: July 15, 2020

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CECE LOVES SCIENCE

From the Cece and the Scientific Method series

A good introduction to observation, data, and trying again.

Cece loves asking “why” and “what if.”

Her parents encourage her, as does her science teacher, Ms. Curie (a wink to adult readers). When Cece and her best friend, Isaac, pair up for a science project, they choose zoology, brainstorming questions they might research. They decide to investigate whether dogs eat vegetables, using Cece’s schnauzer, Einstein, and the next day they head to Cece’s lab (inside her treehouse). Wearing white lab coats, the two observe their subject and then offer him different kinds of vegetables, alone and with toppings. Cece is discouraged when Einstein won’t eat them. She complains to her parents, “Maybe I’m not a real scientist after all….Our project was boring.” Just then, Einstein sniffs Cece’s dessert, leading her to try a new way to get Einstein to eat vegetables. Cece learns that “real scientists have fun finding answers too.” Harrison’s clean, bright illustrations add expression and personality to the story. Science report inserts are reminiscent of The Magic Schoolbus books, with less detail. Biracial Cece is a brown, freckled girl with curly hair; her father is white, and her mother has brown skin and long, black hair; Isaac and Ms. Curie both have pale skin and dark hair. While the book doesn’t pack a particularly strong emotional or educational punch, this endearing protagonist earns a place on the children’s STEM shelf.

A good introduction to observation, data, and trying again. (glossary) (Picture book. 5-8)

Pub Date: June 19, 2018

ISBN: 978-0-06-249960-8

Page Count: 40

Publisher: Greenwillow Books

Review Posted Online: March 26, 2018

Kirkus Reviews Issue: April 15, 2018

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FIND MOMO EVERYWHERE

From the Find Momo series , Vol. 7

A well-meaning but lackluster tribute.

Readers bid farewell to a beloved canine character.

Momo is—or was—an adorable and very photogenic border collie owned by author Knapp. The many readers who loved him in the previous half-dozen books are in for a shock with this one. “Momo had died” is the stark reality—and there are no photographs of him here. Instead, Momo has been replaced by a flat cartoonish pastiche with strange, staring round white eyes, inserted into some of Knapp’s photography (which remains appealing, insofar as it can be discerned under the mixed media). Previous books contained few or no words. Unfortunately, virtuosity behind a lens does not guarantee mastery of verse. The art here is accompanied by words that sometimes rhyme but never find a workable or predictable rhythm (“We’d fetch and we’d catch, / we’d run and we’d jump. Every day we found new / games to play”). It’s a pity, because the subject—a pet’s death—is an important one to address with children. Of course, Momo isn’t gone; he can still be found “everywhere” in memories. But alas, he can be found here only in the crude depictions of the darling dog so well known from the earlier books.

A well-meaning but lackluster tribute. (Picture book. 4-8)

Pub Date: Feb. 6, 2024

ISBN: 9781683693864

Page Count: 32

Publisher: Quirk Books

Review Posted Online: Nov. 4, 2023

Kirkus Reviews Issue: Dec. 1, 2023

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