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OVER, BEAR! UNDER, WHERE?

Tries for clever but doesn’t make it.

Be on the lookout! Wordplay is underway.

A mole named Under and a bird named Over play on a seesaw and swings. Simple declarative sentences explain where the pals are spatially as they use the equipment; their relative locations are depicted. From here, the pair begin to converse, so the prepositions over and under repeatedly appear in speech bubbles, paired with other words and set in boldface type throughout. Thus, dialogue emerges as commands, interjections, or occasional idiomatic expressions and puns—but it’s actually forming compound words. A story (ending with a sweet idiomatic phrase) develops and is expressed textually and visually: “Push, Over!” the mole yells from the swing, and “Under, Stand!” the bird demands when it wants a turn. Punctuation marks are used grammatically correctly, turning common (and not-so-common) compound words into phrases. Other examples of compound-word formation herein: “Over, eat?” “Under, cook,” “Over, done.” Unfortunately, the exercise does not amount to a satisfying story in itself. Adults will get the point; many children won’t, though some will recognize familiar compounds: overeat, understand, under/overcook, and underwear. (Here it’s punned “Under, Where?”) Occasionally, confusion reigns: Some word pairs that are boldfaced and set in speech balloons make no sense for the book’s apparent purposes because they aren’t compounds: “Over, There!”; “Dig, Dog!”; and “Down, Dog!” Colorful illustrations are energetic. An author’s note explains compound words and invites readers to locate those in the book, which are defined in a separate list. (This book was reviewed digitally.)

Tries for clever but doesn’t make it. (Picture book. 5-8)

Pub Date: Oct. 19, 2021

ISBN: 978-0-593-20355-2

Page Count: 32

Publisher: Philomel

Review Posted Online: July 26, 2021

Kirkus Reviews Issue: Aug. 15, 2021

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CREEPY PAIR OF UNDERWEAR!

Perfect for those looking for a scary Halloween tale that won’t leave them with more fears than they started with. Pair with...

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  • Kirkus Reviews'
    Best Books Of 2017


  • New York Times Bestseller

Reynolds and Brown have crafted a Halloween tale that balances a really spooky premise with the hilarity that accompanies any mention of underwear.

Jasper Rabbit needs new underwear. Plain White satisfies him until he spies them: “Creepy underwear! So creepy! So comfy! They were glorious.” The underwear of his dreams is a pair of radioactive-green briefs with a Frankenstein face on the front, the green color standing out all the more due to Brown’s choice to do the entire book in grayscale save for the underwear’s glowing green…and glow they do, as Jasper soon discovers. Despite his “I’m a big rabbit” assertion, that glow creeps him out, so he stuffs them in the hamper and dons Plain White. In the morning, though, he’s wearing green! He goes to increasing lengths to get rid of the glowing menace, but they don’t stay gone. It’s only when Jasper finally admits to himself that maybe he’s not such a big rabbit after all that he thinks of a clever solution to his fear of the dark. Brown’s illustrations keep the backgrounds and details simple so readers focus on Jasper’s every emotion, writ large on his expressive face. And careful observers will note that the underwear’s expression also changes, adding a bit more creep to the tale.

Perfect for those looking for a scary Halloween tale that won’t leave them with more fears than they started with. Pair with Dr. Seuss’ tale of animate, empty pants. (Picture book. 5-8)

Pub Date: Aug. 22, 2017

ISBN: 978-1-4424-0298-0

Page Count: 48

Publisher: Simon & Schuster

Review Posted Online: July 14, 2017

Kirkus Reviews Issue: Aug. 1, 2017

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IMANI'S MOON

While the blend of folklore, fantasy and realism is certainly far-fetched, Imani, with her winning personality, is a child...

Imani endures the insults heaped upon her by the other village children, but she never gives up her dreams.

The Masai girl is tiny compared to the other children, but she is full of imagination and perseverance. Luckily, she has a mother who believes in her and tells her stories that will fuel that imagination. Mama tells her about the moon goddess, Olapa, who wins over the sun god. She tells Imani about Anansi, the trickster spider who vanquishes a larger snake. (Troublingly, the fact that Anansi is a West African figure, not of the Masai, goes unaddressed in both text and author’s note.) Inspired, the tiny girl tries to find new ways to achieve her dream: to touch the moon. One day, after crashing to the ground yet again when her leafy wings fail, she is ready to forget her hopes. That night, she witnesses the adumu, the special warriors’ jumping dance. Imani wakes the next morning, determined to jump to the moon. After jumping all day, she reaches the moon, meets Olapa and receives a special present from the goddess, a small moon rock. Now she becomes the storyteller when she relates her adventure to Mama. The watercolor-and-graphite illustrations have been enhanced digitally, and the night scenes of storytelling and fantasy with their glowing stars and moons have a more powerful impact than the daytime scenes, with their blander colors.

While the blend of folklore, fantasy and realism is certainly far-fetched, Imani, with her winning personality, is a child to be admired. (Picture book. 5-8)

Pub Date: Oct. 14, 2014

ISBN: 978-1-934133-57-6

Page Count: 32

Publisher: Mackinac Island Press

Review Posted Online: July 28, 2014

Kirkus Reviews Issue: Aug. 15, 2014

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