An affecting, observant rendering of the immigrant experience in contemporary America.
A Nigerian family living in Florida bears deep, abiding, and distressing scars from a long-ago but devastating civil war in their native land.
The 2014 kidnapping of 276 Nigerian schoolgirls by Islamic terrorists unhinges an already tightly wound Florida attorney named Fidelis Ewerike, a Nigerian émigré and father of two who, upon hearing of the kidnapping, decides to place his 16-year-old daughter, Amara, in her bedroom under lock and key. The mass kidnapping reawakens in Fidelis the traumas he sustained as a soldier and prisoner of war in the late-1960s Biafran War, during which his younger sister, Ugochi, went missing. Amara’s uncanny resemblance to Ugochi magnifies Fidelis’ mad zeal to protect her from faraway peril. (“He believed that if his sister…could be stolen, could disappear into thin air, then the same fate could befall his daughter. Never mind that this was America, not Nigeria.”) This bizarre, inexplicable act pitches each of the other Ewerike family members into their own traumas, starting with the infuriated, bewildered Amara, who gets no explanation from her father for her imprisonment, only lots of sweets and his own elaborately cooked, dubiously fashioned meals. “Pickles don’t belong in mac and cheese,” she dolefully informs her mother, Adaobi, whose futile efforts to release Amara from captivity leave her desperately pursuing solace, even possible solutions, through her deep religious faith. Meanwhile, Amara’s 14-year-old brother, Chuk, is compelled by the tumult at home to stand alone in the face of physical and verbal abuse from other boys in the neighborhood. When a gang jumps him, Chuk is rescued by Maksym Kostyk, the 17-year-old son of an alcoholic local handyman (another emotionally damaged émigré), who offers to give him boxing lessons. Maksym meets Amara, and they find in each other’s solitude the foundations of a romance—and a mutual resolve to run away from their respective family crises. The interweaving nightmares and yearnings of these characters are evoked with empathy, tenderness, and intensely lyrical prose by Iromuanya, whose tale of abiding sorrow and its long-term consequences serves as a reminder that, as one of her characters observes, battles might end, but wars never do.
An affecting, observant rendering of the immigrant experience in contemporary America.Pub Date: yesterday
ISBN: 9781643755519
Page Count: 256
Publisher: Algonquin
Review Posted Online: Nov. 9, 2024
Kirkus Reviews Issue: Dec. 15, 2024
BOOK REVIEW
PERSPECTIVES
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.
A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.
When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.Pub Date: Feb. 6, 2024
ISBN: 9781250178633
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Nov. 4, 2023
Kirkus Reviews Issue: Dec. 1, 2023
PERSPECTIVES
BOOK TO SCREEN
SEEN & HEARD
Uneven but fitfully amusing.
Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.
Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.
Uneven but fitfully amusing.Pub Date: July 30, 2024
ISBN: 9781250899576
Page Count: 384
Publisher: Henry Holt
Review Posted Online: Sept. 13, 2024
BOOK REVIEW
BOOK REVIEW
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