An affecting, observant rendering of the immigrant experience in contemporary America.
A Nigerian family living in Florida bears deep, abiding, and distressing scars from a long-ago but devastating civil war in their native land.
The 2014 kidnapping of 276 Nigerian schoolgirls by Islamic terrorists unhinges an already tightly wound Florida attorney named Fidelis Ewerike, a Nigerian émigré and father of two who, upon hearing of the kidnapping, decides to place his 16-year-old daughter, Amara, in her bedroom under lock and key. The mass kidnapping reawakens in Fidelis the traumas he sustained as a soldier and prisoner of war in the late-1960s Biafran War, during which his younger sister, Ugochi, went missing. Amara’s uncanny resemblance to Ugochi magnifies Fidelis’ mad zeal to protect her from faraway peril. (“He believed that if his sister…could be stolen, could disappear into thin air, then the same fate could befall his daughter. Never mind that this was America, not Nigeria.”) This bizarre, inexplicable act pitches each of the other Ewerike family members into their own traumas, starting with the infuriated, bewildered Amara, who gets no explanation from her father for her imprisonment, only lots of sweets and his own elaborately cooked, dubiously fashioned meals. “Pickles don’t belong in mac and cheese,” she dolefully informs her mother, Adaobi, whose futile efforts to release Amara from captivity leave her desperately pursuing solace, even possible solutions, through her deep religious faith. Meanwhile, Amara’s 14-year-old brother, Chuk, is compelled by the tumult at home to stand alone in the face of physical and verbal abuse from other boys in the neighborhood. When a gang jumps him, Chuk is rescued by Maksym Kostyk, the 17-year-old son of an alcoholic local handyman (another emotionally damaged émigré), who offers to give him boxing lessons. Maksym meets Amara, and they find in each other’s solitude the foundations of a romance—and a mutual resolve to run away from their respective family crises. The interweaving nightmares and yearnings of these characters are evoked with empathy, tenderness, and intensely lyrical prose by Iromuanya, whose tale of abiding sorrow and its long-term consequences serves as a reminder that, as one of her characters observes, battles might end, but wars never do.
An affecting, observant rendering of the immigrant experience in contemporary America.Pub Date: Feb. 4, 2025
ISBN: 9781643755519
Page Count: 256
Publisher: Algonquin
Review Posted Online: Nov. 9, 2024
Kirkus Reviews Issue: Dec. 15, 2024
BOOK REVIEW
PERSPECTIVES
Have tissues ready as you read this. A small package will do.
A love story about a life of second chances.
In Nassau, in the Bahamas, casino detective Vincent LaPorta grills Alfie Logan, who’d come up a winner three times in a row at the roulette table and walked away with $2 million. “How did you do it?” asks the detective. Alfie calmly denies cheating. You wired all the money to a Gianna Rule, LaPorta says. Why? To explain, Alfie produces a composition book with the words “For the Boss, to Be Read Upon My Death” written on the cover. Read this for answers, Alfie suggests, calling it a love story. His mother had passed along to him a strange trait: He can say “Twice!” and go back to a specific time and place to have a do-over. But it only works once for any particular moment, and then he must live with the new consequences. He can only do this for himself and can’t prevent anyone from dying. Alfie regularly uses his power—failing to impress a girl the first time, he finds out more about her, goes back in time, and presto! She likes him. The premise is of course not credible—LaPorta doesn’t buy it either—but it’s intriguing. Most people would probably love to go back and unsay something. The story’s focus is on Alfie’s love for Gianna and whether it’s requited, unrequited, or both. In any case, he’s obsessed with her. He’s a good man, though, an intelligent person with ordinary human failings and a solid moral compass. Albom writes in a warm, easy style that transports the reader to a world of second chances and what-ifs, where spirituality lies close to the surface but never intrudes on the story. Though a cynic will call it sappy, anyone who is sick to their core from the daily news will enjoy this escape from reality.
Have tissues ready as you read this. A small package will do.Pub Date: Oct. 7, 2025
ISBN: 9780062406682
Page Count: 320
Publisher: Harper/HarperCollins
Review Posted Online: July 18, 2025
Kirkus Reviews Issue: Aug. 15, 2025
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
With captivating dialogue, angst-y characters, and a couple of steamy sex scenes, Hoover has done it again.
After being released from prison, a young woman tries to reconnect with her 5-year-old daughter despite having killed the girl’s father.
Kenna didn’t even know she was pregnant until after she was sent to prison for murdering her boyfriend, Scotty. When her baby girl, Diem, was born, she was forced to give custody to Scotty’s parents. Now that she’s been released, Kenna is intent on getting to know her daughter, but Scotty’s parents won’t give her a chance to tell them what really happened the night their son died. Instead, they file a restraining order preventing Kenna from so much as introducing herself to Diem. Handsome, self-assured Ledger, who was Scotty’s best friend, is another key adult in Diem’s life. He’s helping her grandparents raise her, and he too blames Kenna for Scotty’s death. Even so, there’s something about her that haunts him. Kenna feels the pull, too, and seems to be seeking Ledger out despite his judgmental behavior. As Ledger gets to know Kenna and acknowledges his attraction to her, he begins to wonder if maybe he and Scotty’s parents have judged her unfairly. Even so, Ledger is afraid that if he surrenders to his feelings, Scotty’s parents will kick him out of Diem’s life. As Kenna and Ledger continue to mourn for Scotty, they also grieve the future they cannot have with each other. Told alternatively from Kenna’s and Ledger’s perspectives, the story explores the myriad ways in which snap judgments based on partial information can derail people’s lives. Built on a foundation of death and grief, this story has an undercurrent of sadness. As usual, however, the author has created compelling characters who are magnetic and sympathetic enough to pull readers in. In addition to grief, the novel also deftly explores complex issues such as guilt, self-doubt, redemption, and forgiveness.
With captivating dialogue, angst-y characters, and a couple of steamy sex scenes, Hoover has done it again.Pub Date: Jan. 18, 2022
ISBN: 978-1-5420-2560-7
Page Count: 335
Publisher: Montlake Romance
Review Posted Online: Oct. 12, 2021
Kirkus Reviews Issue: Nov. 1, 2021
SEEN & HEARD
BOOK TO SCREEN
BOOK TO SCREEN
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