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APPLE CAKE

A RECIPE FOR LOVE

Sweethearts of any age will celebrate the joy of love and shared simple pleasures.

Alphonse lures Ida away from her book by making a cake for her.

“Beautiful, kind, brilliant Ida… / always had her nose in a book.” So begins this lighthearted and airy tribute to the powers of love and persistence. Alphonse tries to be interesting, but he is unable to get Ida’s attention. He presents her with bouquets and butterflies and serenades her with guitar music, but still her eyes never leave the pages. He makes a cake, which turns into quite a production indeed. Paschkis takes a marvelous detour from her familiar style here. The pages are open, filled with white space and almost translucent gouache colors. Readers see Alphonse going to the ends of the earth for the ingredients: riding a horse up a mountain for apples, harvesting butter from the sun and sugar from clouds, climbing a tree to grab an egg from a nest, spooning salt from the sea and catching flour and baking powder from the sky. If all this weren’t enough to prove his love, Alphonse dives into the bowl himself to stir the cake! The smell of the cake baking eventually gets Ida’s attention, releasing a flood of butterflies and sunshine onto the final pages.

Sweethearts of any age will celebrate the joy of love and shared simple pleasures. (Picture book. 4 & up)

Pub Date: Sept. 4, 2012

ISBN: 978-0-547-80745-4

Page Count: 32

Publisher: Harcourt

Review Posted Online: June 19, 2012

Kirkus Reviews Issue: July 15, 2012

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TALES FOR VERY PICKY EATERS

Broccoli: No way is James going to eat broccoli. “It’s disgusting,” says James. Well then, James, says his father, let’s consider the alternatives: some wormy dirt, perhaps, some stinky socks, some pre-chewed gum? James reconsiders the broccoli, but—milk? “Blech,” says James. Right, says his father, who needs strong bones? You’ll be great at hide-and-seek, though not so great at baseball and kickball and even tickling the dog’s belly. James takes a mouthful. So it goes through lumpy oatmeal, mushroom lasagna and slimy eggs, with James’ father parrying his son’s every picky thrust. And it is fun, because the father’s retorts are so outlandish: the lasagna-making troll in the basement who will be sent back to the rat circus, there to endure the rodent’s vicious bites; the uneaten oatmeal that will grow and grow and probably devour the dog that the boy won’t be able to tickle any longer since his bones are so rubbery. Schneider’s watercolors catch the mood of gentle ribbing, the looks of bewilderment and surrender and the deadpanned malarkey. It all makes James’ father’s last urging—“I was just going to say that you might like them if you tried them”—wholly fresh and unexpected advice. (Early reader. 5-9)

Pub Date: May 1, 2011

ISBN: 978-0-547-14956-1

Page Count: 48

Publisher: Clarion Books

Review Posted Online: April 4, 2011

Kirkus Reviews Issue: April 1, 2011

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HOME

Visually accomplished but marred by stereotypical cultural depictions.

Ellis, known for her illustrations for Colin Meloy’s Wildwood series, here riffs on the concept of “home.”

Shifting among homes mundane and speculative, contemporary and not, Ellis begins and ends with views of her own home and a peek into her studio. She highlights palaces and mansions, but she also takes readers to animal homes and a certain famously folkloric shoe (whose iconic Old Woman manages a passel of multiethnic kids absorbed in daring games). One spread showcases “some folks” who “live on the road”; a band unloads its tour bus in front of a theater marquee. Ellis’ compelling ink and gouache paintings, in a palette of blue-grays, sepia and brick red, depict scenes ranging from mythical, underwater Atlantis to a distant moonscape. Another spread, depicting a garden and large building under connected, transparent domes, invites readers to wonder: “Who in the world lives here? / And why?” (Earth is seen as a distant blue marble.) Some of Ellis’ chosen depictions, oddly juxtaposed and stripped of any historical or cultural context due to the stylized design and spare text, become stereotypical. “Some homes are boats. / Some homes are wigwams.” A sailing ship’s crew seems poised to land near a trio of men clad in breechcloths—otherwise unidentified and unremarked upon.

Visually accomplished but marred by stereotypical cultural depictions. (Picture book. 4-8)

Pub Date: Feb. 24, 2015

ISBN: 978-0-7636-6529-6

Page Count: 40

Publisher: Candlewick

Review Posted Online: Nov. 17, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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