by Julie Satow ‧ RELEASE DATE: June 4, 2019
An infectiously fun read.
A lively tale about the “white marble mountain rising in the center” of Manhattan.
In her debut, New York Times real estate contributor Satow chronicles the history of one of New York City’s most iconic structures. Drawing on architectural, financial, social, and popular history, the author “examines how the Plaza is ground zero for the increasing globalization of money and the slow decoupling of pedigree from wealth.” She interviewed hundreds of people, from bellmen and managers to lawyers and chefs, to give her story a rich, personal touch (she was married in the hotel’s grand Terrace Room) and an entertaining, novelistic flair. The first Plaza was built in 1890 only to be torn down 15 years later. Financier Harry Black hired renowned architect Henry Janeway Hardenbergh to construct a “nineteen-story white gleaming tower”; the construction cost “$340 million in today’s dollars.” The hotel was lavish and opulent, filled with the finest linens, silverware, 1,650 chandeliers, exquisite dining rooms, and a “dog check room.” It made its debut—along with the New York taxicab—in 1907, and the first guest was Alfred Gwynne Vanderbilt, “the dashing millionaire.” Satow clearly loves details, and most of them are fascinating. The Plaza had a staff of 1,500, including more than 80 cooks and two men to dust the chandeliers. Throughout this sumptuous, busy history, the author enlightens and entertains with stories and anecdotes that recount the hotel’s many famous and colorful guests, including F. Scott Fitzgerald and author Kay Thompson (later evicted), whose fictional character Eloise also lived at the Plaza; how it weathered Prohibition and the Depression; changes in ownership, American (Conrad Hilton, Donald Trump) and foreign (Saudi Arabia, Singapore, currently Qatar); bankruptcy, and its controversial 2005 conversion to multimillion-dollar condominiums. As Satow writes, over “its 111 years, the Plaza has extolled beauty on the surface and grit behind the scenes.”
An infectiously fun read.Pub Date: June 4, 2019
ISBN: 978-1-4555-6667-9
Page Count: 368
Publisher: Twelve
Review Posted Online: Feb. 2, 2019
Kirkus Reviews Issue: Feb. 15, 2019
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by David Grann ‧ RELEASE DATE: April 18, 2017
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
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Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorker staff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
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BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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by Howard Zinn ; adapted by Rebecca Stefoff with by Ed Morales
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by Howard Zinn with Ray Suarez
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by Howard Zinn
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