A witty but kindhearted academic satire that oscillates between genuine compassion and scathing mockery with admirable...
Beleaguered English professor Jason Fitger, the unlucky protagonist of the Thurber Prize–winning novel Dear Committee Members (2014), returns to Payne University to fight another day.
Schumacher (English/The Univ. of Minnesota; An Explanation for Chaos, 1997, etc.) abandons the epistolary style of her previous novel for a straight narrative but retains all of its acid satire in a sequel that is far more substantive and just as funny. Our malcontent professor Fitger has been promoted to chair of his deeply dysfunctional English department. But his dwindling domain is in the crosshairs of villainous economics chair Roland Gladwell, who is trying to push English out of the basement of his precious Willard Hall and—if a troubling new quality assurance program comes to fruition—out of the curriculum entirely. Fitger’s only allies in his turf war are his ex-wife, Janet Matthias, who is now sleeping with the school’s dowdy dean, Philip Hinckler, and Fran Ignatieff, his gladiatorial administrative assistant, who generally hates him. From here, Schumacher throws her accident-prone lead into an unceasing comedy of errors. Fitger’s arc includes defending his Literature of the Apocalypse class from accusations that it's “psychologically hostile,” an absurd series of quests to convince (read: bribe) his colleagues to sign off on a required “Statement of Vision,” and a simmering alliance with Marie Eland, chair of the Consolidated Languages department, who best understands his plight. “It is about staying alive for the length of your term,” she says. “Because this is a game for them—for the deans and the provost and the vice provosts: to cut us back and back and back and suppose what we will do. What do you name this? A blood sport.” Subplots involving students, among them a naïve freshman, a duplicitous teaching assistant, and an ambitious department intern, are slightly less acerbic, but the Shakespearean drama between departments and colleagues is popcornworthy.
A witty but kindhearted academic satire that oscillates between genuine compassion and scathing mockery with admirable dexterity.Pub Date: Aug. 14, 2018
ISBN: 978-0-385-54234-0
Page Count: 320
Publisher: Doubleday
Review Posted Online: May 14, 2018
Kirkus Reviews Issue: June 1, 2018
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it...
Harris, creator of grand, symphonic thrillers from Fatherland (1992) to An Officer and a Spy (2014), scores with a chamber piece of a novel set in the Vatican in the days after a fictional pope dies.
Fictional, yes, but the nameless pontiff has a lot in common with our own Francis: He’s famously humble, shunning the lavish Apostolic Palace for a small apartment, and he is committed to leading a church that engages with the world and its problems. In the aftermath of his sudden death, rumors circulate about the pope’s intention to fire certain cardinals. At the center of the action is Cardinal Lomeli, Dean of the College of Cardinals, whose job it is to manage the conclave that will elect a new pope. He believes it is also his duty to uncover what the pope knew before he died because some of the cardinals in question are in the running to succeed him. “In the running” is an apt phrase because, as described by Harris, the papal conclave is the ultimate political backroom—albeit a room, the Sistine Chapel, covered with Michelangelo frescoes. Vying for the papal crown are an African cardinal whom many want to see as the first black pope, a press-savvy Canadian, an Italian arch-conservative (think Cardinal Scalia), and an Italian liberal who wants to continue the late pope’s campaign to modernize the church. The novel glories in the ancient rituals that constitute the election process while still grounding that process in the real world: the Sistine Chapel is fitted with jamming devices to thwart electronic eavesdropping, and the pressure to act quickly is increased because “rumours that the pope is dead are already trending on social media.”
An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it is pure temptation.Pub Date: Nov. 22, 2016
ISBN: 978-0-451-49344-6
Page Count: 304
Publisher: Knopf
Review Posted Online: Sept. 6, 2016
Kirkus Reviews Issue: Sept. 15, 2016
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.
Pub Date: Sept. 16, 1992
ISBN: 1400031702
Page Count: 592
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1992
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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