An urban story that explores the universal themes of integrity, trust, and respect in relationships.
A 10-year-old girl copes with a family move as well as challenges with both new and old friends in this third book about Celie Valentine.
Celie Valentine Altman’s family moves from Brooklyn to Manhattan in order to allow Celie’s grandmother, who is becoming increasingly confused as she ages, to live with them, along with a live-in nurse. Although the new place is only about an hour by subway away from their previous home, Celie is forced to adjust quickly to life without sharing a room with her sister as well as to a new school and new friends. Via first-person diary entries on ruled paper, spy notes, and sketches made over the course of just 10 days, readers get to follow along with Celie’s moral dilemmas: should she go along with the pushy Mary Majors, who seems to invite trouble wherever she goes? Should she continue to pry into her sister’s boyfriend challenges against her sister’s wishes? Can she be friends with both Mary and Charlie? Shouldn’t she tell her parents when plans change or something is unsafe? When her decisions culminate in a minor disaster, Celie is grateful that her loving parents and grandmother can help her balance her world again. Celie and her family are white, as are Mary Majors and Charlie; her doodles reveal an awareness of New York’s cultural mix.
An urban story that explores the universal themes of integrity, trust, and respect in relationships. (Fiction. 8-11)Pub Date: March 28, 2017
ISBN: 978-1-62979-672-7
Page Count: 176
Publisher: Boyds Mills
Review Posted Online: Dec. 5, 2016
Kirkus Reviews Issue: Dec. 15, 2016
However the compelling fitness of theme and event and the apt but unexpected imagery (the opening sentences compare the...
At a time when death has become an acceptable, even voguish subject in children's fiction, Natalie Babbitt comes through with a stylistic gem about living forever.
Protected Winnie, the ten-year-old heroine, is not immortal, but when she comes upon young Jesse Tuck drinking from a secret spring in her parents' woods, she finds herself involved with a family who, having innocently drunk the same water some 87 years earlier, haven't aged a moment since. Though the mood is delicate, there is no lack of action, with the Tucks (previously suspected of witchcraft) now pursued for kidnapping Winnie; Mae Tuck, the middle aged mother, striking and killing a stranger who is onto their secret and would sell the water; and Winnie taking Mae's place in prison so that the Tucks can get away before she is hanged from the neck until....? Though Babbitt makes the family a sad one, most of their reasons for discontent are circumstantial and there isn't a great deal of wisdom to be gleaned from their fate or Winnie's decision not to share it.
Pub Date: Nov. 1, 1975
ISBN: 0312369816
Page Count: 164
Publisher: Farrar, Straus and Giroux
Review Posted Online: April 13, 2012
Kirkus Reviews Issue: Nov. 1, 1975
Ironically, by choosing such a dramatic catalyst, the author weakens the adventure’s impact overall and leaves readers to...
A group of talking farm animals catches wind of the farm owner’s intention to burn the barn (with them in it) for insurance money and hatches a plan to flee.
Bond begins briskly—within the first 10 pages, barn cat Burdock has overheard Dewey Baxter’s nefarious plan, and by Page 17, all of the farm animals have been introduced and Burdock is sharing the terrifying news. Grady, Dewey’s (ever-so-slightly) more principled brother, refuses to go along, but instead of standing his ground, he simply disappears. This leaves the animals to fend for themselves. They do so by relying on their individual strengths and one another. Their talents and personalities match their species, bringing an element of realism to balance the fantasy elements. However, nothing can truly compensate for the bland horror of the premise. Not the growing sense of family among the animals, the serendipitous intervention of an unknown inhabitant of the barn, nor the convenient discovery of an alternate home. Meanwhile, Bond’s black-and-white drawings, justly compared to those of Garth Williams, amplify the sense of dissonance. Charming vignettes and single- and double-page illustrations create a pastoral world into which the threat of large-scale violence comes as a shock.
Ironically, by choosing such a dramatic catalyst, the author weakens the adventure’s impact overall and leaves readers to ponder the awkward coincidences that propel the plot. (Animal fantasy. 8-10)Pub Date: July 7, 2015
ISBN: 978-0-544-33217-1
Page Count: 256
Publisher: HMH Books
Review Posted Online: March 31, 2015
Kirkus Reviews Issue: April 15, 2015
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