by Julio Cortázar ; edited by Carles Álvarez Garriga ; translated by Katherine Silver ‧ RELEASE DATE: March 28, 2017
It’s great to have these insights from the author himself about his writings, but it’s a bumpy ride for all but a small,...
A collection about the art of fiction.
After the influential Argentinian writer Cortázar (1914-1984) had written his greatest and most significant works, he accepted a position at the University of California in 1980 to deliver a series of classroom talks. The first one, “A Writer’s Paths,” is autobiographical. He confesses that he’s “not systematic, I’m not a critic or a theorist, which means I look for solutions in my work as problems arise.” He passed through three stages as a writer: the aesthetic, when he was reading extensively, including Borges, who was for him a “literary heaven”; the metaphysical, which was a “slow, difficult, and very basic inquiry…into man [and his]…destiny”; and, finally, the historical, during which he realized that he had to confront his Latin American roots, its history and politics. Other talks take up the topic of the fantastic, referencing writers like Ambrose Bierce, W.F. Harvey, and Oscar Wilde. Two talks explore Cortázar's Hopscotch, A Manual for Manuel and Fantomas. He goes into great detail about how he wrote his stories and novels and reads extensively from them, sometimes entire stories. There are some tips/advice for young writers to consider, but not very much. Cortázar had some notes, but generally these talks are delivered extemporaneously. Though impressive, sometimes they ramble and lose their way, and sometimes they just get dull. Because the lectures are transcribed as is, the book would have benefited from some judicious editing—e.g., leaving out matters concerning office hours. Some kind of introduction would also have been useful. In every talk (during and after), Cortázar takes questions from the students, which are included. His responses are carefully thought out, some going on for pages.
It’s great to have these insights from the author himself about his writings, but it’s a bumpy ride for all but a small, scholarly audience.Pub Date: March 28, 2017
ISBN: 978-0-8112-2534-2
Page Count: 320
Publisher: New Directions
Review Posted Online: Jan. 3, 2017
Kirkus Reviews Issue: Feb. 1, 2017
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by Julio Cortázar & Anne McLean & translated by Anne McLean & illustrated by Stéphane Hébert
by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
by Jack Weatherford ‧ RELEASE DATE: March 2, 2004
A horde-pleaser, well-written and full of surprises.
“The Mongols swept across the globe as conquerors,” writes the appreciative pop anthropologist-historian Weatherford (The History of Money, 1997, etc.), “but also as civilization’s unrivaled cultural carriers.”
No business-secrets fluffery here, though Weatherford does credit Genghis Khan and company for seeking “not merely to conquer the world but to impose a global order based on free trade, a single international law, and a universal alphabet with which to write all the languages of the world.” Not that the world was necessarily appreciative: the Mongols were renowned for, well, intemperance in war and peace, even if Weatherford does go rather lightly on the atrocities-and-butchery front. Instead, he accentuates the positive changes the Mongols, led by a visionary Genghis Khan, brought to the vast territories they conquered, if ever so briefly: the use of carpets, noodles, tea, playing cards, lemons, carrots, fabrics, and even a few words, including the cheer hurray. (Oh, yes, and flame throwers, too.) Why, then, has history remembered Genghis and his comrades so ungenerously? Whereas Geoffrey Chaucer considered him “so excellent a lord in all things,” Genghis is a byword for all that is savage and terrible; the word “Mongol” figures, thanks to the pseudoscientific racism of the 19th century, as the root of “mongoloid,” a condition attributed to genetic throwbacks to seed sown by Mongol invaders during their decades of ravaging Europe. (Bad science, that, but Dr. Down’s son himself argued that imbeciles “derived from an earlier form of the Mongol stock and should be considered more ‘pre-human, rather than human.’ ”) Weatherford’s lively analysis restores the Mongols’ reputation, and it takes some wonderful learned detours—into, for instance, the history of the so-called Secret History of the Mongols, which the Nazis raced to translate in the hope that it would help them conquer Russia, as only the Mongols had succeeded in doing.
A horde-pleaser, well-written and full of surprises.Pub Date: March 2, 2004
ISBN: 0-609-61062-7
Page Count: 320
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2003
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