by Julio Ramón Ribeyro ; translated by Katherine Silver with introduction by Alejandro Zambra ‧ RELEASE DATE: Aug. 13, 2019
A welcome selection of prose that introduces a Latin American master to English-language audiences.
Sometimes bleak, sometimes warily humorous stories by Peruvian writer Ribeyro.
Ribeyro (1929-1994) is in the second tier of the Latin American Boom, much less well known than his compatriot Mario Vargas Llosa, to say nothing of Gabriel García Márquez, Alejo Carpentier, and Jorge Luis Borges. The latter’s influence can be sensed in some of the stories gathered here, especially the ones in which Ribeyro’s protagonists turn out to be ghosts, as the closing of the first story, “Tracks,” reveals: “He remembered that the monogram on the handkerchief were his initials, and he no longer had any doubt that inside his room the spectacle of his own death had just taken place.” In another story, a fisherman similarly awaits his own murder; in still another, a bankrupt man considers the relief that a plunge down a seaside cliff, “that precise border between the earth and the sea,” might bring. Some of Ribeyro’s stories, especially the earlier and the shorter ones, are imbued with death, sometimes revealed, sometimes acknowledged at the very beginning of a story (“But he…found little interest in all of these subjects, as he had been dead for three days”). Almost all have a kind of knowing cynicism to them, with ironic distance but not without humor, as with the long story that gave its title to a late collection, “For Smokers Only”; there, the protagonist, a chain smoker like the author himself, admits to a host of health problems—“indigestion, nausea, fatigue, loss of appetite, heart palpitations, dizzy spells, and a stomach ulcer”—that have beset him while concluding that, well, since Flaubert smoked so much that his mustache was yellow and Gorky and Hemingway were also addicted to tobacco, there may just be good literary reason to keep puffing away. Albeit happy endings are few, Ribeyro’s stories often offer unexpected twists, their characters mysteriously disappearing in a flurry of snow or puffs of smoke from cigarettes here and guns there.
A welcome selection of prose that introduces a Latin American master to English-language audiences.Pub Date: Aug. 13, 2019
ISBN: 978-1-68137-323-2
Page Count: 264
Publisher: New York Review Books
Review Posted Online: May 12, 2019
Kirkus Reviews Issue: June 1, 2019
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by Donna Tartt ‧ RELEASE DATE: Sept. 16, 1992
The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.
Pub Date: Sept. 16, 1992
ISBN: 1400031702
Page Count: 592
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1992
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SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
by Robert Harris ‧ RELEASE DATE: Nov. 22, 2016
An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it...
Harris, creator of grand, symphonic thrillers from Fatherland (1992) to An Officer and a Spy (2014), scores with a chamber piece of a novel set in the Vatican in the days after a fictional pope dies.
Fictional, yes, but the nameless pontiff has a lot in common with our own Francis: He’s famously humble, shunning the lavish Apostolic Palace for a small apartment, and he is committed to leading a church that engages with the world and its problems. In the aftermath of his sudden death, rumors circulate about the pope’s intention to fire certain cardinals. At the center of the action is Cardinal Lomeli, Dean of the College of Cardinals, whose job it is to manage the conclave that will elect a new pope. He believes it is also his duty to uncover what the pope knew before he died because some of the cardinals in question are in the running to succeed him. “In the running” is an apt phrase because, as described by Harris, the papal conclave is the ultimate political backroom—albeit a room, the Sistine Chapel, covered with Michelangelo frescoes. Vying for the papal crown are an African cardinal whom many want to see as the first black pope, a press-savvy Canadian, an Italian arch-conservative (think Cardinal Scalia), and an Italian liberal who wants to continue the late pope’s campaign to modernize the church. The novel glories in the ancient rituals that constitute the election process while still grounding that process in the real world: the Sistine Chapel is fitted with jamming devices to thwart electronic eavesdropping, and the pressure to act quickly is increased because “rumours that the pope is dead are already trending on social media.”
An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it is pure temptation.Pub Date: Nov. 22, 2016
ISBN: 978-0-451-49344-6
Page Count: 304
Publisher: Knopf
Review Posted Online: Sept. 6, 2016
Kirkus Reviews Issue: Sept. 15, 2016
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BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
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