In a stirring picture book for older readers, Lester (Sam and the Tigers, 1996, etc.) creates meditations on the journey of Africans to slavery, on the lives of people held as slaves, and on runaways, the Civil War, and the meaning of freedom. Although these musings are both impressionistic and personal, Lester, in an introduction, demands that readers participate: ``I found myself addressing you, the reader, begging, pleading, imploring you not to be passive, but to invest soul and imagine yourself into the images.'' ``Imagination Exercise One—For White People'' asks readers to imagine being taken away in a spaceship by people whose skin color they've never seen, to a place where they are given new names and can be maimed or killed. ``Imagination Exercise Two—For African Americans'' asks readers to examine any shame they have about being the descendants of slaves. Each of Lester's deeply personal commentaries is placed opposite one of Brown's paintings, which depict in brilliant colors and sculpturally molded forms the people who were slaves and stops or landmarks on their journey to freedom. This is a teaching book: Those who seek to understand the experience of slavery will find many questions to grapple with, for the text does not flinch from the horrors of slave ships, whippings, or the selling of human flesh. As is true of Tom Feelings's The Middle Passage (1995), this book needs the key of collaboration with caring adults to understand its treasures fully. Readers who make that effort will be amply rewarded. (Picture book/nonfiction. 10-12)
Pub Date: Jan. 1, 1998
ISBN: 0-8037-1893-4
Page Count: 40
Publisher: Dial Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 15, 1997
Just in time for the millennium comes this adaptation of Jennings and Brewster’s The Century (1998). Still a browsable, coffee-table edition, the book divides the last 100 years more or less by decade, with such chapter headings as “Shell Shock,” “Global Nightmare,” and “Machine Dreams.” A sweeping array of predominantly black-and-white photographs documents the story in pictures—from Theodore Roosevelt to O.J., the Panama Canal to the crumbling Berlin Wall, the dawn of radio to the rise of Microsoft—along with plenty of captions and brief capsules of historical events. Setting this volume apart, and making it more than just a glossy textbook overview of mega-events, are blue sidebars that chronicle the thoughts, actions, and attitudes of ordinary men, women, and children whose names did not appear in the news. These feature-news style interviews feature Milt Hinton on the Great Migration, Betty Broyles on a first automobile ride, Sharpe James on the effect of Jackie Robinson’s success on his life, Clara Hancox on growing up in the Depression, Marnie Mueller on life as an early Peace Corps volunteer, and more. The authors define the American century by “the inevitability of change,” a theme reflected in the selection of photographs and interviews throughout wartime and peacetime, at home and abroad. While global events are included only in terms of their impact on Americans, this portfolio of the century is right for leafing through or for total immersion. (index) (Nonfiction. 9-12)
Pub Date: Oct. 1, 1999
ISBN: 0-385-32708-0
Page Count: 245
Publisher: Doubleday
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 1999
It took four weeks for illustrations of scenes from the US’s Civil War battles to make it from the front lines to readers’ hands; Morrison (Cheetah, 1998, etc.) explains that process in his uniquely handsome book. Morrison introduces the fictional artist, William Forbes, commissioned by the fictional Burton’s Illustrated News to follow the Union Army into battle at Bull Run. Throughout the day’s fighting Forbes makes quick sketches; it is risky business, and he is often in mortal peril. That night he makes a more complete drawing, which is handed to a courier and taken back to the Burton offices. There, engravers set to work translating Forbes’s drawing to a grid of wood blocks (Morrison includes interesting incidentals along the way, giving the process its due). The images are converted to electrotype, whereafter it is finally ready for the operators and pressman. Shortly after that, the newsboys are seen hawking the illustrated weekly, containing Forbes’s image a mere month after the actual event. Morrison successfully renders the complexities of illustrating newspapers 150 years ago, and just as successfully conveys that in abandoning the wood block for the photograph, some of the art was sacrificed for speed. (glossary) (Picture book. 6-10)
Pub Date: April 1, 1999
ISBN: 0-395-91426-4
Page Count: 32
Publisher: Houghton Mifflin
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 1999
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