by Justin Heimberg ‧ RELEASE DATE: Oct. 25, 2011
Cool ideas, good execution, mediocre text.
Readers are challenged to unlock the secrets of a haunted house, with the aid of a "magic glass."
"Open at your own risk!" declares a message on the inside cover of the book, just above an elegant envelope. As if this isn't spooky enough, a skeleton's arm wreathed in smoke points at the envelope from below. Inside the sealed envelope is a rectangle of plastic, 2" x 3 1/4" and 1/8" thick, bordered with a design featuring the sun and the moon. Illustrations and three pages of instructions explain how to use the lens; placing it over selected images in the book guides readers/sleuths, providing clues, code keys and answers. There are 10 two-page spreads, spooky tableaux in mostly dark hues, nicely designed by Junko Miyakoshi. These include a Ouija board; a desk with old books, a candelabra, a skull and three crystal balls (readers choose their own fates from among them); a graveyard; mystery journals; even the gates of Hades. Instructions are in verse, each about a dozen lines per spread. Some are solid enough ("The dead it seems are quite alive / Buzzing in their graveyard hive"), but most are awkward near-rhymes ("Now that you have found your ghosts / It's time to look for UFO's"). The book ends with an answer key. And a bonus! A website (TheSpiritGlass.com) with 13 more puzzles.
Cool ideas, good execution, mediocre text. (Puzzle book. 7-10)Pub Date: Oct. 25, 2011
ISBN: 978-1-934734-49-0
Page Count: 32
Publisher: Seven Footer Press
Review Posted Online: Aug. 30, 2011
Kirkus Reviews Issue: Sept. 15, 2011
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by Patricia Polacco & illustrated by Patricia Polacco ‧ RELEASE DATE: July 1, 2010
Trisha is ready to start at a new school, where no one will know she has dyslexia. At first, she is heartbroken to be in Miss Peterson’s special-ed class, aka, “the junkyard.” But Miss Peterson treats the children as anything but junk, showing them that everyone has a unique talent. Polacco’s trademark style is fully present here; her sensitively drawn alter ego shines with depth of feeling. When bullying occurs, Miss Peterson proves her students are worthwhile by planning a junkyard field trip, where they find valuable objects to be used in exciting ways. Trisha’s group repairs a plane, and the class buys an engine for it. Then a beloved class member dies, and the children must find a way to honor him. While the plot meanders somewhat, the characters are appealing, believable and provide a fine portrayal of a truly special class. Children will be drawn in by the story’s warmth and gentle humor and will leave with a spark of inspiration, an appreciation of individual differences and a firm anti-bullying message, all underscored by the author’s note that concludes the book. (Picture book. 7-10)
Pub Date: July 1, 2010
ISBN: 978-0-399-25078-1
Page Count: 48
Publisher: Philomel
Review Posted Online: May 31, 2010
Kirkus Reviews Issue: June 15, 2010
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by Nathaniel Lachenmeyer ; illustrated by Simini Blocker ‧ RELEASE DATE: June 18, 2019
Alert readers will find the implicit morals: know your audience, mostly, but also never underestimate the power of “rock”...
The theme of persistence (for better or worse) links four tales of magic, trickery, and near disasters.
Lachenmeyer freely borrows familiar folkloric elements, subjecting them to mildly comical twists. In the nearly wordless “Hip Hop Wish,” a frog inadvertently rubs a magic lamp and finds itself saddled with an importunate genie eager to shower it with inappropriate goods and riches. In the title tale, an increasingly annoyed music-hating witch transforms a persistent minstrel into a still-warbling cow, horse, sheep, goat, pig, duck, and rock in succession—then is horrified to catch herself humming a tune. Athesius the sorcerer outwits Warthius, a rival trying to steal his spells via a parrot, by casting silly ones in Ig-pay Atin-lay in the third episode, and in the finale, a painter’s repeated efforts to create a flattering portrait of an ogre king nearly get him thrown into a dungeon…until he suddenly understands what an ogre’s idea of “flattering” might be. The narratives, dialogue, and sound effects leave plenty of elbow room in Blocker’s big, brightly colored panels for the expressive animal and human(ish) figures—most of the latter being light skinned except for the golden genie, the blue ogre, and several people of color in the “Sorcerer’s New Pet.”
Alert readers will find the implicit morals: know your audience, mostly, but also never underestimate the power of “rock” music. (Graphic short stories. 8-10)Pub Date: June 18, 2019
ISBN: 978-1-59643-750-0
Page Count: 112
Publisher: First Second
Review Posted Online: April 27, 2019
Kirkus Reviews Issue: May 15, 2019
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