A collection that will demonstrate either the limitations or the possibilities of flash fiction, depending on the reader’s...
When you’d rather have a quick shot of fiction than linger over a long tale, knock back one of these 20 very short stories—plus one artwork—on love, sex, and relationships.
“Flash fiction” means any very short story, generally fewer than 1,000 words. More than just a vignette or scene, a flash-fiction piece can ideally stand alone as a complete (if compressed or allusive) story. Some stories in this collection meet the ideal better than others. “Thin Walls,” by Jim Blanchet (under 500 words), and “Three,” by K.I. Borrowman (only 286 words), have a setting, protagonist, conflict and surprising resolution. Others work less well; “Like Chlorine in Night” by Rich Larson has poetic qualities, but it’s not a story, even a very short one. “Passion Fruit” by Gail Aldwin is really just a vignette. The subtitle of this book suggests erotica or romance, and many stories befit that label, including Wayne Scheer’s “Fantasy Woman.” Set in India, it describes the ideal, beautiful woman who makes everything easy. Several stories go in other directions. In “Blue-Ribbon Dinner” by Erik Adams, sex fuels a gruesome story about the actress Marie Prevost. Nancy Hall’s “Happy Birthday to Me” is even more grisly, a confused memory about a 13-year-old girl first watching her parents having sex—in absorbed, pornographic detail—and then her father murdering her mother. Elizabeth King’s “The Entanglements of Possession” is spooky, erotic and memorable. Diana Peterson’s “Dry” shows through vivid dialogue how breaking up with someone can have a happy ending. One of the strongest stories is Maude Larke’s “First Cut,” which describes a woman’s first sexual encounter (with another woman) after a double mastectomy. Hot and tender, this is a lovely description of sexual healing.
A collection that will demonstrate either the limitations or the possibilities of flash fiction, depending on the reader’s perspective.Pub Date: Aug. 15, 2012
ISBN: N/A
Page Count: -
Publisher: N/A
Review Posted Online: Sept. 17, 2012
Review Program: Kirkus Indie
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
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