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ONE SWEET SONG

A joyful celebration of music and community.

In this tale inspired by the Italian performers who serenaded their neighbors from their balconies during the Covid-19 lockdown, a single musical note leads to a neighborhood symphony.

A young tan-skinned girl looks out her window and hears a neighbor play the flute (“One note trills…”). The child steps onto her balcony, chiming her triangle (“One note trills and / now there are two”), which inspires another neighbor to play the violin. Slowly, others join in from their balconies and open windows. A light-skinned neighbor plays a cello, while a South Asian family plays the ghatam and the morsing. A Black family bangs on African drums; a light-skinned neighbor bangs on a pot; several residents create makeshift instruments with remote controls or plastic bottles. The music builds, dips, rises, then slows and becomes silent. As the notes increase, the rhyming text counts to 10 and back down again as the music and voices merge to create a song that celebrates a spontaneous moment of community. The bright illustrations show swirls of colors and musical notes weaving in and out of the homes, suggesting a sense of connection. The residents are racially diverse, including Black and brown people of various shades. Though most are dressed in casual clothing—T-shirts, bathrobes—the South Asian family wears more formal regalia.

A joyful celebration of music and community. (Picture book. 3-8)

Pub Date: Jan. 16, 2024

ISBN: 9781536219814

Page Count: 40

Publisher: Candlewick

Review Posted Online: Oct. 7, 2023

Kirkus Reviews Issue: Nov. 1, 2023

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THE TEMPEST

A must-own adaptation chock-full of such stuff as kids’ dreams are—and will be—made on.

Mirth, magic, and mischief abound in this picture-book retelling of one of Shakespeare’s most famous plays.

Ariel, the beloved sprite whose conjurings precipitate the eponymous tempest, gets top billing in this adaptation and recounts the narrative in the first person. Through Ariel’s eyes, readers are introduced to the powerful Prospero, his lovely daughter, Miranda, and the shipwrecked nobles who are brought to the island to right an ancient wrong. Ellinas’ picture book largely divests the tale of its colonialist underpinnings and breathes three-dimensional complexity into the major and minor characters. Caliban, for instance, is monstrous due to his callous treatment of Ariel rather than because he is racially coded as savage. Another delightful change is the depiction of Miranda, who emerges as an athletic, spirited, and beautiful nature-child whose charms are understandably irresistible to Prince Ferdinand. The text is perfectly matched by Ray’s jaw-droppingly beautiful illustrations, which will enchant readers from the front cover to the final curtain. The greens of the waters and the blues of the island’s night sky are so lush and inviting that readers will wish they could enter the book. Peppered throughout the story are italicized fragments of Shakespeare’s dialogue, giving both young and older readers something to enjoy. Large, granite-colored Caliban is plainly nonhuman; the human characters present white; Ariel is a translucent, paper white.

A must-own adaptation chock-full of such stuff as kids’ dreams are—and will be—made on. (Picture book. 4-8)

Pub Date: April 7, 2020

ISBN: 978-1-5362-1144-3

Page Count: 32

Publisher: Candlewick

Review Posted Online: Nov. 23, 2019

Kirkus Reviews Issue: Dec. 15, 2019

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THERE'S A ROCK CONCERT IN MY BEDROOM

Nice enough but not worth repeat reads.

Emma deals with jitters before playing the guitar in the school talent show.

Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)

Nice enough but not worth repeat reads. (Picture book. 4-6)

Pub Date: March 29, 2022

ISBN: 978-0-593-35207-6

Page Count: 40

Publisher: Razorbill/Penguin

Review Posted Online: Feb. 8, 2022

Kirkus Reviews Issue: March 1, 2022

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