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The Monster and the Last Blood Match

A twisty thriller with superb worldbuilding and biting social commentary.

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A young woman reluctantly takes a job working for a powerful vampire in Linde’s supernatural novel.

In a world where vampires rule and humans are barely able to make ends meet, Reyna Carpenter is desperate to find a job to ease the burden on her overworked brothers. She decides to apply at Visage, a vampire-run company specializing in “body employment services.” The company assigns humans (called “blood escorts”) to vampires with matching blood types, as “vampires who drank blood that matched the blood type they had when they were human functioned at higher cognitive levels.” Reyna is promptly assigned to Visage’s senior vice president, Beckham Anderson. Fighting their instant attraction to each other, Beckham quickly introduces her to the elite world of wealthy vampires. As he continually refuses to drink from her and rogue vampire attacks increase in frequency, Reyna senses there is something very wrong in Beckham’s world…and with Visage itself. As she delves into the dark underbelly of vampirism, Reyna discovers that there is something different about her that may threaten the fragile, decade-long peace between humans and vampires. In a somewhat saturated market of vampire fiction, the author manages to artfully dodge expectations while still occasionally indulging in the tropes of the genre. In particular, the economic disparity between humans and vampires is thoughtfully explored and adds relevance to an otherwise frothy thriller. When Reyna questions the vampire daughter of a local politician, for example, her frustrations sound eerily familiar: “Have you actually seen the streets?…Seen the people starving and dirty and poor? Seen the streets littered with filth and felt the utter despair?” The plot twists are genuinely surprising, and the story concludes with a deliciously foreboding cliffhanger. With realistic dialogue and a snappy pace, Linde has crafted a smart supernatural romance that isn’t afraid to tackle themes like abuse, greed, and social injustice.

A twisty thriller with superb worldbuilding and biting social commentary.

Pub Date: N/A

ISBN: N/A

Page Count: -

Publisher: N/A

Review Posted Online: June 2, 2025

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IF IT BLEEDS

Vintage King: a pleasure for his many fans and not a bad place to start if you’re new to him.

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The master of supernatural disaster returns with four horror-laced novellas.

The protagonist of the title story, Holly Gibney, is by King’s own admission one of his most beloved characters, a “quirky walk-on” who quickly found herself at the center of some very unpleasant goings-on in End of Watch, Mr. Mercedes, and The Outsider. The insect-licious proceedings of the last are revisited, most yuckily, while some of King’s favorite conceits turn up: What happens if the dead are never really dead but instead show up generation after generation, occupying different bodies but most certainly exercising their same old mean-spirited voodoo? It won’t please TV journalists to know that the shape-shifting bad guys in that title story just happen to be on-the-ground reporters who turn up at very ugly disasters—and even cause them, albeit many decades apart. Think Jack Torrance in that photo at the end of The Shining, and you’ve got the general idea. “Only a coincidence, Holly thinks, but a chill shivers through her just the same,” King writes, “and once again she thinks of how there may be forces in this world moving people as they will, like men (and women) on a chessboard.” In the careful-what-you-wish-for department, Rat is one of those meta-referential things King enjoys: There are the usual hallucinatory doings, a destiny-altering rodent, and of course a writer protagonist who makes a deal with the devil for success that he thinks will outsmart the fates. No such luck, of course. Perhaps the most troubling story is the first, which may cause iPhone owners to rethink their purchases. King has gone a far piece from the killer clowns and vampires of old, with his monsters and monstrosities taking on far more quotidian forms—which makes them all the scarier.

Vintage King: a pleasure for his many fans and not a bad place to start if you’re new to him.

Pub Date: April 20, 2020

ISBN: 978-1-9821-3797-7

Page Count: 448

Publisher: Scribner

Review Posted Online: March 14, 2020

Kirkus Reviews Issue: April 1, 2020

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WE USED TO LIVE HERE

A frighteningly good debut.

Mysterious guests overstay their welcome in this fresh take on the haunted house trope.

Eve Palmer makes the biggest mistake of her life when there’s a knock on the door from a man who says he grew up in her house. Against her better instincts she invites him and his family inside, but a 15-minute look around turns into a world of trouble when she can’t get them to leave. First the Faust family’s young daughter disappears in the basement; then a storm hits and the roads are blocked, giving them no choice but to spend the night. Soon rooms appear altered, strange odors waft through the house, and a toy chimp from Eve’s childhood seems to be sending her a warning: "Once they’re in, they never leave." Kliewer’s original and extremely scary story gathers elements inspired by authors like Shirley Jackson and classic horror films including Invasion of the Body Snatchers. He’s created a can’t-look-away imaginary world in which people and places aren’t what they appear. Readers will be as shaken as Eve, who fears she’s suffering from delusions when an apparition warns her that the Fausts—and even her partner, Charlie—aren’t who they say they are. Inserted between the book’s chapters are "documents" that lay out evidence collected by conspiracy theorists who believe what’s happening to Eve has nothing to do with delusions. This alternate storyline, written in the style of Reddit—Kliewer’s novel grew out of a novella he posted there—feels jarring at times, as we’re reluctantly pulled away from Eve’s gripping tale. The conspiracy theorists’ creepy posts aren’t quite as hypnotic, but they solidify the plot’s premise and neatly tie up Eve’s predicament. Fans of the surging horror genre will think twice about opening the door when somebody knocks.

A frighteningly good debut.

Pub Date: June 18, 2024

ISBN: 9781982198787

Page Count: 320

Publisher: Emily Bestler/Atria

Review Posted Online: April 18, 2024

Kirkus Reviews Issue: May 15, 2024

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