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THE BIG WORRY DAY

An exercise in self-awareness in the face of debilitating anxiety.

A child expresses and mitigates their anxieties through their dog.

A light-skinned child narrator informs readers, “I have a dog named Bea. She worries. Like me.” Even though the only thing they have planned this weekend is going outside to play, the narrator states that Bea is worried about what might happen. While the text has the narrator heavily preparing in order to quell “Bea’s” apprehension, the illustrations—depicting the protagonist’s worried expressions and Bea’s joyful, rambunctious body language—make it clear what’s really going on. The narrator proposes bringing supplies (a sweater, a compass and a map, and more); when that does not allay their fears, the child and pup turn to self-regulating exercises including breathing exercises, yoga, and group therapy with stuffed toys. Finally, the gentle urging of the narrator’s furry friend quiets their worries, providing a sense of safety to help face the day outdoors. Soft, muted illustrations pair well with the text to create a slow pace and tranquil atmosphere of mindfulness and comfort. The lack of adults in the narration gives space and opportunity for self-guided regulation mechanisms and acknowledges the power of companionship in helping to grapple with those fears. However, readers with similar issues will get the most out of this story if it’s shared with a trusted adult. In an author’s note, Reynolds discusses how she experienced anxiety from a very young age. (This book was reviewed digitally.)

An exercise in self-awareness in the face of debilitating anxiety. (Picture book. 4-7)

Pub Date: Aug. 23, 2022

ISBN: 978-0-593-46563-9

Page Count: 32

Publisher: Viking

Review Posted Online: May 10, 2022

Kirkus Reviews Issue: June 1, 2022

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  • New York Times Bestseller


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CREEPY CARROTS!

Serve this superbly designed title to all who relish slightly scary stories.

Awards & Accolades

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  • New York Times Bestseller


  • IndieBound Bestseller


  • Caldecott Honor Book

Kids know vegetables can be scary, but rarely are edible roots out to get someone. In this whimsical mock-horror tale, carrots nearly frighten the whiskers off Jasper Rabbit, an interloper at Crackenhopper Field.

Jasper loves carrots, especially those “free for the taking.” He pulls some in the morning, yanks out a few in the afternoon, and comes again at night to rip out more. Reynolds builds delicious suspense with succinct language that allows understatements to be fully exploited in Brown’s hilarious illustrations. The cartoon pictures, executed in pencil and then digitally colored, are in various shades of gray and serve as a perfectly gloomy backdrop for the vegetables’ eerie orange on each page. “Jasper couldn’t get enough carrots … / … until they started following him.” The plot intensifies as Jasper not only begins to hear the veggies nearby, but also begins to see them everywhere. Initially, young readers will wonder if this is all a product of Jasper’s imagination. Was it a few snarling carrots or just some bathing items peeking out from behind the shower curtain? The ending truly satisfies both readers and the book’s characters alike. And a lesson on greed goes down like honey instead of a forkful of spinach.

Serve this superbly designed title to all who relish slightly scary stories. (Picture book. 4-7)

Pub Date: Aug. 21, 2012

ISBN: 978-1-4424-0297-3

Page Count: 40

Publisher: Simon & Schuster

Review Posted Online: May 1, 2012

Kirkus Reviews Issue: Aug. 1, 2012

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THE LITTLE GHOST WHO WAS A QUILT

From the Little Ghost Quilt Book series

Halloween is used merely as a backdrop; better holiday titles for young readers are available.

A ghost learns to appreciate his differences.

The little ghost protagonist of this title is unusual. He’s a quilt, not a lightweight sheet like his parents and friends. He dislikes being different despite his mom’s reassurance that his ancestors also had unconventional appearances. Halloween makes the little ghost happy, though. He decides to watch trick-or-treaters by draping over a porch chair—but lands on a porch rail instead. A mom accompanying her daughter picks him up, wraps him around her chilly daughter, and brings him home with them! The family likes his looks and comforting warmth, and the little ghost immediately feels better about himself. As soon as he’s able to, he flies out through the chimney and muses happily that this adventure happened only due to his being a quilt. This odd but gently told story conveys the importance of self-respect and acceptance of one’s uniqueness. The delivery of this positive message has something of a heavy-handed feel and is rushed besides. It also isn’t entirely logical: The protagonist could have been a different type of covering; a blanket, for instance, might have enjoyed an identical experience. The soft, pleasing illustrations’ palette of tans, grays, white, black, some touches of color, and, occasionally, white text against black backgrounds suggest isolation, such as the ghost feels about himself. Most humans, including the trick-or-treating mom and daughter, have beige skin. (This book was reviewed digitally with 11-by-16.6-inch double-page spreads viewed at 66.2% of actual size.)

Halloween is used merely as a backdrop; better holiday titles for young readers are available. (Picture book. 4-7)

Pub Date: Sept. 1, 2020

ISBN: 978-0-7352-6447-2

Page Count: 48

Publisher: Tundra Books

Review Posted Online: July 13, 2020

Kirkus Reviews Issue: Aug. 1, 2020

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