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GNOME-A-GEDDON

In the end, the lampoon falls victim to its own sense of irony, making Buck feel like a secondary character in someone...

As the title indicates, a novel that attempts to subvert and poke fun at fantasy tropes.

A superfan of the series Triumphant Gnome Syndicate, Buck Rogers knows all the trivia. Buck, a white boy, and his friend Lizzie Adams, a multiracial (black/white) girl, eagerly await the midnight release of Gnome-A-Geddon, the series’ newest. Compounding the excitement, author Harold Macinaw makes a surprise appearance but then suddenly disappears. The next morning, Buck and Lizzie find replicas of themselves, and none of the adults can be woken. Possibly even more alarmingly, rows of children, including Buck’s little sister, Willy, march trancelike into a dumpster behind the bookstore. It turns out Flipside, the world of the books, is real. Using his comprehensive knowledge of the Triumphant Gnome Syndicate, Buck must find Macinaw and rescue Willy, but Flipside is more terrifying than he could have imagined. Like so many other fantasy protagonists, Buck is liberal with the snark, but some of the humor falls flat, as when he postulates that Lizzie might be part Troll because she’s multiracial. Lizzie never rises above the role of Buck’s sidekick, even though she reprimands Buck for not allowing her to fully participate in the adventure, and other characters do not rise above Buck’s preconceived notions of them.

In the end, the lampoon falls victim to its own sense of irony, making Buck feel like a secondary character in someone else’s story and not quite a protagonist in his own . (Fantasy. 8-12)

Pub Date: May 2, 2017

ISBN: 978-1-4814-7845-8

Page Count: 304

Publisher: McElderry

Review Posted Online: March 5, 2017

Kirkus Reviews Issue: March 15, 2017

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THE FIRST CAT IN SPACE AND THE WRATH OF THE PAPERCLIP

From the First Cat in Space series , Vol. 3

File under “laugh riot.”

A rogue spell-check program’s bid to transform all life-forms into that eminently useful office item, the paper clip, touches off a fresh round of lunar lunacy.

Predicated on the entirely reasonable premise that eliminating all spelling and grammar errors everywhere would logically lead to the necessity of exterminating carbon-based life in the universe, this third series entry combines high stakes with daffy banter and daring exploits. CheckMate—a chipper, jumped-up editing program—has invented the Transmogratron, a giant laser that will fulfill its ultimate goals in both the cyber world and “meatspace.” Facing challenges as random as prankster lunar unicorns and a disarmingly motherly Motherboard, scowling First Cat joins a motley crew of diversely carbon- and silicon-based allies, led by the pearlescent Queen of the Moon. They’re in a race to the finish—diverted occasionally by, for instance, a relentlessly punny comic-book interlude featuring a pair of literal and figurative Pool Sharks. They ultimately triumph thanks to teamwork and moxie. Following a celebratory party and toasts to “new friends…and steadfast comrades” (and, of course, “MEOW”), the story’s energetic, brightly colored panels close with a reveal of the next volume. (“I always hate it when comics end by announcing a sequel. SO CRINGE!” declares an authorial stand-in.) It can’t come too soon.

File under “laugh riot.” (Graphic science fiction. 8-11)

Pub Date: Nov. 5, 2024

ISBN: 9780063315280

Page Count: 272

Publisher: HarperAlley

Review Posted Online: Sept. 14, 2024

Kirkus Reviews Issue: Oct. 15, 2024

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THE LION OF LARK-HAYES MANOR

A pleasing premise for book lovers.

A fantasy-loving bookworm makes a wonderful, terrible bargain.

When sixth grader Poppy Woodlock’s historic preservationist parents move the family to the Oregon coast to work on the titular stately home, Poppy’s sure she’ll find magic. Indeed, the exiled water nymph in the manor’s ruined swimming pool grants a wish, but: “Magic isn’t free. It cosssts.” The price? Poppy’s favorite book, The Lion, the Witch, and the Wardrobe. In return she receives Sampson, a winged lion cub who is everything Poppy could have hoped for. But she soon learns that the nymph didn’t take just her own physical book—she erased Narnia from Poppy’s world. And it’s just the first loss: Soon, Poppy’s grandmother’s journal’s gone, then The Odyssey, and more. The loss is heartbreaking, but Sampson’s a wonderful companion, particularly as Poppy’s finding middle school a tough adjustment. Hartman’s premise is beguiling—plenty of readers will identify with Poppy, both as a fellow bibliophile and as a kid struggling to adapt. Poppy’s repeatedly expressed faith that unveiling Sampson will bring some sort of vindication wears thin, but that does not detract from the central drama. It’s a pity that the named real-world books Poppy reads are notably lacking in diversity; a story about the power of literature so limited in imagination lets both itself and readers down. Main characters are cued White; there is racial diversity in the supporting cast. Chapters open with atmospheric spot art. (This review has been updated to reflect the final illustrations.)

A pleasing premise for book lovers. (Fantasy. 9-12)

Pub Date: May 2, 2023

ISBN: 9780316448222

Page Count: 320

Publisher: Little, Brown

Review Posted Online: Feb. 24, 2023

Kirkus Reviews Issue: March 15, 2023

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