A charming concept book, an upbeat romp, and an ode to South Asian cuisine, all in one delectable package.
An Indian grandfather and child head to the market to stock up for a party—and find themselves embarking on a lesson in counting.
Sona and Dada (Grandfather) wander around, encountering foods from a variety of Indian culinary traditions. They pick up “20 ladoos at this store” and then “19 elaichis from a drawer.” The book continues counting backward as the pair buy “18 sheeras from that man.” What’s next? “16 mangoes in a line,” “15 flavors on the sign!” and “13 tikkis—so delish!” Sona and Dada even stop for eclairs, which, the authors explain, are served in the southeast Indian city of Pondicherry, once a French colony. At the end of their shopping trip, the two return home and prepare a celebratory picnic for friends and family. The book’s bright illustrations make use of enticing patterns and feature background characters with a variety of skin tones and hair textures. Filled with color and movement, the artwork brims with joyful chaos. The jaunty verse, presented in couplets, cleverly covers a wide variety of foods, although at times the authors sacrifice word choice for the sake of a rhyme. Accompanying the main text are explanatory notes in a smaller font, which include pronunciations for Hindi words and definitions. This is a well-thought-out, refreshingly original work, with whimsical illustrations beautifully complementing the exuberant text.
A charming concept book, an upbeat romp, and an ode to South Asian cuisine, all in one delectable package. (Concept book. 3-6)Pub Date: Oct. 29, 2024
ISBN: 9781665934008
Page Count: 40
Publisher: Beach Lane/Simon & Schuster
Review Posted Online: Aug. 17, 2024
Kirkus Reviews Issue: Sept. 15, 2024
As ephemeral as a valentine.
Daywalt and Jeffers’ wandering crayons explore love.
Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.
As ephemeral as a valentine. (Picture book. 4-6)Pub Date: Dec. 24, 2019
ISBN: 978-1-5247-9268-8
Page Count: 32
Publisher: Penguin Workshop
Review Posted Online: Feb. 1, 2021
SEEN & HEARD
SEEN & HEARD
An accessible entrance into the world of social-emotional skills.
What do you do when the world turns upside down?
Freckled redhead Tilda is a happy only child with a rollicking personality. With lots of books and toys and a multiracial group of friends, life is perfect as far as she’s concerned…until her world undergoes a troubling change (a subtle hint in the illustrations suggests that Tilda’s parents have divorced). Suddenly, nothing feels right, everything seems hard, and she doesn’t want to play with her friends. To reflect this emotional disorientation, the artwork shows Tilda in spatially distorted settings, complete with upside-down objects. It’s not until she sees an upturned ladybug struggle persistently before getting back on its feet (despite Tilda’s desire to help, the ladybug needs to help itself) that Tilda gains the courage to start taking baby steps in order to cope with her new reality. There are still challenges, and she needs to persevere, but eventually, she regains her zest for life and reconnects with her friends. Despite this, the ending avoids an easy happily-ever-after, which feels just right for the subject matter. Though a trifle didactic, the story sends an important message about the roles of self-efficacy and persistence when it comes to overcoming challenges and building resilience. Percival’s digital illustrations use transitions from grayscale to color to create symbolic meaning and have psychological depth, deftly capturing a child’s experience of trauma.
An accessible entrance into the world of social-emotional skills. (author's note) (Picture book. 3-6)Pub Date: March 1, 2022
ISBN: 978-1-5476-0822-5
Page Count: 32
Publisher: Bloomsbury
Review Posted Online: Dec. 26, 2021
Kirkus Reviews Issue: Jan. 15, 2022
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