by Kabir Sehgal & Surishtha Sehgal ; illustrated by Zara González Hoang ‧ RELEASE DATE: Oct. 16, 2018
Despite some shortcomings, the book carries the day on showcasing the beautiful traditions of Raksha Bandhan.
To the tune of “Frère Jacques,” the book showcases Raksha Bandhan, a festival in northern India that celebrates the relationship between brothers and sisters.
Two sisters busy themselves making a rakhi (the titular thread of love) and tying it to their brother. In return, their brother gives them a gift and some chum-chum (an Indian sweet). The book ends with a heartwarming spread showcasing family, friends, and neighbors around the world being bound by this thread of love. While obviously enjoyable for storytimes, the cadence of the song with these lyrics can be a bit challenging, and some poetic license has been taken with the wording, possibly to meet the meter. “Sister Kashi, Sister Kashi,” reads the text, “meri ban, meri ban.” The phrase “meri ban” is translated in the glossary as “my sister,” with an addendum that “behan” is “an alternate spelling”; many speakers of Hindi may well feel that “behan” is the standard rendering and “ban” an unfamiliar variation. Debut illustrator Hoang’s illustrations are infused with persimmon, magenta, and lime green. The children’s faces are disproportionately large, and they wear only traditional Indian garb. The backdrops indicate an Indian setting, with words in Hindi on shops and a cricket poster in the brother’s bedroom. Although the concluding map includes children likely of the Indian diaspora, it’s a shame the story itself is so visually limiting. The book ends with helpful instructions for making a rakhi.
Despite some shortcomings, the book carries the day on showcasing the beautiful traditions of Raksha Bandhan. (Picture book. 3-7)Pub Date: Oct. 16, 2018
ISBN: 978-1-5344-0473-1
Page Count: 40
Publisher: Beach Lane/Simon & Schuster
Review Posted Online: June 24, 2018
Kirkus Reviews Issue: July 15, 2018
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by Adam Wallace ; illustrated by Andy Elkerton ‧ RELEASE DATE: Oct. 4, 2016
A forgettable effort that fails to capture any of the magical charm of Santa’s story. (Picture book. 3-6)
Wallace and Elkerton continue their series about catching elusive mythical creatures (How to Catch a Leprechaun, 2016, etc.) with this Christmas story about an elf who must avoid traps constructed by children before Santa’s annual visit.
The unnamed elf narrator is the sole helper traveling with Santa on his delivery rounds on Christmas Eve, with each house featuring a different type of trap for elves. The spunky elf avoids a mechanical “elf snatcher,” hidden in a plate of cookies, as well as simple traps made of tinsel, double-sided tape, and a cardboard box concealing a mean-looking cat. Another trap looks like a bomb hidden in a box of candy, and a complicated trap in a maze has an evil cowboy clown with a branding iron, leading to the elf’s cry, “Hey, you zapped my tushy!” The bomb trap and the branding iron seem to push the envelope of child-made inventions. The final trap is located in a family grocery store that’s booby-trapped with a “Dinner Cannon” shooting out food, including a final pizza that the elf and Santa share. The singsong, rhyming text has a forced cheeriness, full of golly-jolly-holly Christmas spirit and too many exclamation marks, as well as rhyming word pairs that miss the mark. (No, little elf-boy, “smarter” and “harder” do not rhyme.) Bold, busy illustrations in a cartoon style have a cheeky appeal with a focus on the freckle-faced white elf with auburn curls and a costume with a retro vibe. (Santa is also white.)
A forgettable effort that fails to capture any of the magical charm of Santa’s story. (Picture book. 3-6)Pub Date: Oct. 4, 2016
ISBN: 978-1-4926-4631-0
Page Count: 32
Publisher: Sourcebooks Jabberwocky
Review Posted Online: Oct. 11, 2016
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by Sybil Rosen ; illustrated by Camille Garoche ‧ RELEASE DATE: March 16, 2021
Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story.
A home-renovation project is interrupted by a family of wrens, allowing a young girl an up-close glimpse of nature.
Renata and her father enjoy working on upgrading their bathroom, installing a clawfoot bathtub, and cutting a space for a new window. One warm night, after Papi leaves the window space open, two wrens begin making a nest in the bathroom. Rather than seeing it as an unfortunate delay of their project, Renata and Papi decide to let the avian carpenters continue their work. Renata witnesses the birth of four chicks as their rosy eggs split open “like coats that are suddenly too small.” Renata finds at a crucial moment that she can help the chicks learn to fly, even with the bittersweet knowledge that it will only hasten their exits from her life. Rosen uses lively language and well-chosen details to move the story of the baby birds forward. The text suggests the strong bond built by this Afro-Latinx father and daughter with their ongoing project without needing to point it out explicitly, a light touch in a picture book full of delicate, well-drawn moments and precise wording. Garoche’s drawings are impressively detailed, from the nest’s many small bits to the developing first feathers on the chicks and the wall smudges and exposed wiring of the renovation. (This book was reviewed digitally with 10-by-20-inch double-page spreads viewed at actual size.)
Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story. (Picture book. 3-7)Pub Date: March 16, 2021
ISBN: 978-0-593-12320-1
Page Count: 40
Publisher: Schwartz & Wade/Random
Review Posted Online: Jan. 12, 2021
Kirkus Reviews Issue: Feb. 1, 2021
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