by Kader Abdolah ; translated by Nancy Forest-Flier ‧ RELEASE DATE: Sept. 9, 2014
Abdolah is himself an Iranian political refugee who fled to Holland—his novel is translated from the Dutch—and he writes...
Political machinations meet religious tensions in 19th-century Persia.
Abdolah (My Father's Notebook, 2006, etc.) writes in a style reminiscent of both newspaper reporting and fairy tale, even beginning with a “Once upon a time”—though the novel is set in a densely populated historical period rather than in the ether of timelessness. Shah Naser is the eponymous king, and he has all the complications one would expect for someone in his position: a powerful and cantankerous mother; a harem full of intriguing (in all senses) women; political advisers he doesn't trust; and a volatile political situation, with Russia and England vying for spheres of influence. He also has a cat, Sharmin, who serves as a confidant, to whom he reads classic poetry and discloses his deepest thoughts and anxieties—and there’s much to be anxious about. Because of Persian domestic arrangements, he has literally hundreds of half brothers, and he has several of them hanged simply because he doesn’t trust them. The shah also has a grand vizier, Mirza Kabir, who has grand plans to modernize the country, but the shah’s mother, Mahdolia, has very different ideas. A resistance group develops involving Jamal Khan, who works with ayatollahs hostile to the shah’s liberal (personal rather than political) indulgences. And in the background lurk political representatives from Russia and England, full of rancor for each other and occasionally for the shah as well, though they each want to curry favor with him to satisfy their own agendas.
Abdolah is himself an Iranian political refugee who fled to Holland—his novel is translated from the Dutch—and he writes with great feeling and sensitivity about matters that still have resonance in the 21st century.Pub Date: Sept. 9, 2014
ISBN: 978-0-8112-2373-7
Page Count: 352
Publisher: New Directions
Review Posted Online: June 30, 2014
Kirkus Reviews Issue: July 15, 2014
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by Kader Abdolah & translated by Susan Massotty
by Roy Jacobsen ; translated by Don Bartlett & Don Shaw ‧ RELEASE DATE: April 7, 2020
A deeply satisfying novel, both sensuously vivid and remarkably poignant.
Norwegian novelist Jacobsen folds a quietly powerful coming-of-age story into a rendition of daily life on one of Norway’s rural islands a hundred years ago in a novel that was shortlisted for the 2017 Man Booker International Prize.
Ingrid Barrøy, her father, Hans, mother, Maria, grandfather Martin, and slightly addled aunt Barbro are the owners and sole inhabitants of Barrøy Island, one of numerous small family-owned islands in an area of Norway barely touched by the outside world. The novel follows Ingrid from age 3 through a carefree early childhood of endless small chores, simple pleasures, and unquestioned familial love into her more ambivalent adolescence attending school off the island and becoming aware of the outside world, then finally into young womanhood when she must make difficult choices. Readers will share Ingrid’s adoration of her father, whose sense of responsibility conflicts with his romantic nature. He adores Maria, despite what he calls her “la-di-da” ways, and is devoted to Ingrid. Twice he finds work on the mainland for his sister, Barbro, but, afraid she’ll be unhappy, he brings her home both times. Rooted to the land where he farms and tied to the sea where he fishes, Hans struggles to maintain his family’s hardscrabble existence on an island where every repair is a struggle against the elements. But his efforts are Sisyphean. Life as a Barrøy on Barrøy remains precarious. Changes do occur in men’s and women’s roles, reflected in part by who gets a literal chair to sit on at meals, while world crises—a war, Sweden’s financial troubles—have unexpected impact. Yet the drama here occurs in small increments, season by season, following nature’s rhythm through deaths and births, moments of joy and deep sorrow. The translator’s decision to use roughly translated phrases in conversation—i.e., “Tha’s goen’ nohvar” for "You’re going nowhere")—slows the reading down at first but ends up drawing readers more deeply into the world of Barrøy and its prickly, intensely alive inhabitants.
A deeply satisfying novel, both sensuously vivid and remarkably poignant.Pub Date: April 7, 2020
ISBN: 978-1-77196-319-0
Page Count: 272
Publisher: Biblioasis
Review Posted Online: Jan. 12, 2020
Kirkus Reviews Issue: Feb. 1, 2020
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by Roy Jacobsen ; translated by Don Bartlett & Don Shaw
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by Roy Jacobsen translated by Don Bartlett & Don Shaw
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by Roy Jacobsen & translated by Don Bartlett & Don Shaw
by Anthony Doerr ‧ RELEASE DATE: May 6, 2014
Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.
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Doerr presents us with two intricate stories, both of which take place during World War II; late in the novel, inevitably, they intersect.
In August 1944, Marie-Laure LeBlanc is a blind 16-year-old living in the walled port city of Saint-Malo in Brittany and hoping to escape the effects of Allied bombing. D-Day took place two months earlier, and Cherbourg, Caen and Rennes have already been liberated. She’s taken refuge in this city with her great-uncle Etienne, at first a fairly frightening figure to her. Marie-Laure’s father was a locksmith and craftsman who made scale models of cities that Marie-Laure studied so she could travel around on her own. He also crafted clever and intricate boxes, within which treasures could be hidden. Parallel to the story of Marie-Laure we meet Werner and Jutta Pfennig, a brother and sister, both orphans who have been raised in the Children’s House outside Essen, in Germany. Through flashbacks we learn that Werner had been a curious and bright child who developed an obsession with radio transmitters and receivers, both in their infancies during this period. Eventually, Werner goes to a select technical school and then, at 18, into the Wehrmacht, where his technical aptitudes are recognized and he’s put on a team trying to track down illegal radio transmissions. Etienne and Marie-Laure are responsible for some of these transmissions, but Werner is intrigued since what she’s broadcasting is innocent—she shares her passion for Jules Verne by reading aloud 20,000 Leagues Under the Sea. A further subplot involves Marie-Laure’s father’s having hidden a valuable diamond, one being tracked down by Reinhold von Rumpel, a relentless German sergeant-major.
Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.Pub Date: May 6, 2014
ISBN: 978-1-4767-4658-6
Page Count: 448
Publisher: Scribner
Review Posted Online: March 5, 2014
Kirkus Reviews Issue: March 15, 2014
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edited by Anthony Doerr & Heidi Pitlor
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