Directly after the prologue, the narrative begins with the U.S. Capitol, built by slaves and freeman before Nelson steps...
In an undertaking even more ambitious than the multiple-award-winning We Are the Ship (2008), Nelson tells the story of African-Americans and their often central place in American history.
Directly after the prologue, the narrative begins with the U.S. Capitol, built by slaves and freeman before Nelson steps back and shows the intricate ways American and African-American history were intertwined from the earliest days of the country’s founding. Using an unnamed female narrator, Nelson fashions a unique mode of storytelling that is both historical and personal. The narrator guides readers through major events in American history through the perspective of, first, enslaved people, then those legally free but hindered by discrimination and, finally, citizens able to fully participate in American life following the Civil Rights Movement. As with any work by this talented artist, the accompanying illustrations are bold and arresting. The dramatic oil paintings heighten the dignity of this story, whether they are of well-known historical figures, common folk or landscape. With such a long time period to cover, the careful choices Nelson makes of which stories to tell make this a successful effort. While there is little room for historical nuance, Nelson does include the way events such as World War I and the fight for woman suffrage affected the Black community.Pub Date: Sept. 27, 2011
ISBN: 978-0-06-173074-0
Page Count: 108
Publisher: Balzer + Bray/HarperCollins
Review Posted Online: July 5, 2011
Kirkus Reviews Issue: July 15, 2011
Essential.
A guidebook for taking action against racism.
The clear title and bold, colorful illustrations will immediately draw attention to this book, designed to guide each reader on a personal journey to work to dismantle racism. In the author’s note, Jewell begins with explanations about word choice, including the use of the terms “folx,” because it is gender neutral, and “global majority,” noting that marginalized communities of color are actually the majority in the world. She also chooses to capitalize Black, Brown, and Indigenous as a way of centering these communities’ voices; "white" is not capitalized. Organized in four sections—identity, history, taking action, and working in solidarity—each chapter builds on the lessons of the previous section. Underlined words are defined in the glossary, but Jewell unpacks concepts around race in an accessible way, bringing attention to common misunderstandings. Activities are included at the end of each chapter; they are effective, prompting both self-reflection and action steps from readers. The activities are designed to not be written inside the actual book; instead Jewell invites readers to find a special notebook and favorite pen and use that throughout. Combining the disruption of common fallacies, spotlights on change makers, the author’s personal reflections, and a call to action, this powerful book has something for all young people no matter what stage they are at in terms of awareness or activism.
Essential. (author’s note, further reading, glossary, select bibliography) (Nonfiction. 10-18)Pub Date: Jan. 7, 2020
ISBN: 978-0-7112-4521-1
Page Count: 160
Publisher: Frances Lincoln
Review Posted Online: Sept. 14, 2019
Kirkus Reviews Issue: Oct. 1, 2019
BOOK REVIEW
PROFILES
Full of laughter and sentiment, this is a nudge for readers to dare to try new things.
A 1989 summer trip to Europe changes Caldecott Medal winner Santat’s life in this graphic memoir.
Young Dan hasn’t experienced much beyond the small Southern California town he grew up in. He stays out of trouble, helps his parents, and tries to go unnoticed in middle school. That plan gets thwarted when he is made to recite poetry at a school assembly and is humiliated by his peers. When eighth grade is over and his parents send him on a three-week study abroad program, Dan isn’t excited at first. He’s traveling with girls from school whom he has awkward relationships with, his camera breaks, and he feels completely out of place. But with the help of some new friends, a crush, and an encouraging teacher, Dan begins to appreciate and enjoy the journey. Through experiences like his first taste of Fanta, first time hearing French rap, and first time getting lost on his own in a foreign country in the middle of the night, he finally begins to feel comfortable just being himself and embracing the unexpected. This entertaining graphic memoir is a relatable story of self-discovery. Flashbacks to awkward memories are presented in tones of blue that contrast with the full-color artwork through which Santat creates the perfect balance of humor and poignancy. The author’s note and photos offer readers more fun glimpses into his pivotal adventure.
Full of laughter and sentiment, this is a nudge for readers to dare to try new things. (Graphic memoir. 10-14)Pub Date: Feb. 28, 2023
ISBN: 978-1-250-85104-8
Page Count: 320
Publisher: First Second
Review Posted Online: Nov. 28, 2022
Kirkus Reviews Issue: Dec. 15, 2022
PERSPECTIVES
PERSPECTIVES
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