This beloved nursery rhyme gets a fresh and meaningful modernization.
Move over, Old MacDonald: The hardworking Miss MacDonald has a green thumb and plenty of plants.
This tale follows the same cadence as the familiar song but replaces the opening lines with “Miss MacDonald has a farm. / She loves things that grow.” Instead of caring for pastures full of animals, Miss MacDonald grows food, “with a water-water here” and a “drip-drop there.” Once her bounty is ready, the titular farmer harvests her crops and cooks up a feast for her friends. Caregivers and educators will find the bouncy text fun to sing, but it’s also readable if that’s preferred. Gwarjanski employs rich vocabulary words such as shuck, tubers, and thresh, many of which are defined in an appended glossary. Miss MacDonald has brown skin and wears oversized, orange-tinted sunglasses, a wide-brimmed hat, tall socks, and gardening clogs. On every page she tirelessly tends to her plants, while the accompanying illustrations feature vibrant, true-to-life depictions of seedlings, vines, and stalks. This is a delightful update that centers a woman and encourages readers to consider how the foods they love appear on the table. Those who want to follow Miss MacDonald’s worthy example should check out the recipe for a harvest vegetable bake in the backmatter.
This beloved nursery rhyme gets a fresh and meaningful modernization. (Picture book. 4-6)Pub Date: March 12, 2024
ISBN: 9780593568163
Page Count: 32
Publisher: Doubleday
Review Posted Online: Jan. 5, 2024
Kirkus Reviews Issue: Feb. 1, 2024
A welcome addition to autumnal storytelling—and to tales of traditional enemies overcoming their history.
Ferry and the Fans portray a popular seasonal character’s unlikely friendship.
Initially, the protagonist is shown in his solitary world: “Scarecrow stands alone and scares / the fox and deer, / the mice and crows. / It’s all he does. It’s all he knows.” His presence is effective; the animals stay outside the fenced-in fields, but the omniscient narrator laments the character’s lack of friends or places to go. Everything changes when a baby crow falls nearby. Breaking his pole so he can bend, the scarecrow picks it up, placing the creature in the bib of his overalls while singing a lullaby. Both abandon natural tendencies until the crow learns to fly—and thus departs. The aabb rhyme scheme flows reasonably well, propelling the narrative through fall, winter, and spring, when the mature crow returns with a mate to build a nest in the overalls bib that once was his home. The Fan brothers capture the emotional tenor of the seasons and the main character in their panoramic pencil, ballpoint, and digital compositions. Particularly poignant is the close-up of the scarecrow’s burlap face, his stitched mouth and leaf-rimmed head conveying such sadness after his companion goes. Some adults may wonder why the scarecrow seems to have only partial agency, but children will be tuned into the problem, gratified by the resolution.
A welcome addition to autumnal storytelling—and to tales of traditional enemies overcoming their history. (Picture book. 4-6)Pub Date: Sept. 3, 2019
ISBN: 978-0-06-247576-3
Page Count: 40
Publisher: Harper/HarperCollins
Review Posted Online: May 7, 2019
Kirkus Reviews Issue: June 1, 2019
Low grade.
A gray character tries to write an all-gray book.
The six primary and secondary colors are building a rainbow, each contributing the hue of their own body, and Gray feels forlorn and left out because rainbows contain no gray. So Gray—who, like the other characters, has a solid, triangular body, a doodle-style face, and stick limbs—sets off alone to create “the GRAYest book ever.” His book inside a book shows a peaceful gray cliff house near a gray sea with gentle whitecaps; his three gray characters—hippo, wolf, kitten—wait for their arc to begin. But then the primaries arrive and call the gray scene “dismal, bleak, and gloomy.” The secondaries show up too, and soon everyone’s overrunning Gray’s creation. When Gray refuses to let White and Black participate, astute readers will note the flaw: White and black (the colors) had already been included in the early all-gray spreads. Ironically, Gray’s book within a book displays calm, passable art while the metabook’s unsubtle illustrations and sloppy design make for cramped and crowded pages that are too busy to hold visual focus. The speech-bubble dialogue’s snappy enough (Blue calls people “dude,” and there are puns). A convoluted moral muddles the core artistic question—whether a whole book can be gray—and instead highlights a trite message about working together.
Low grade. (glossary) (Picture book. 4-6)Pub Date: Dec. 1, 2019
ISBN: 978-1-5420-4340-3
Page Count: 40
Publisher: Two Lions
Review Posted Online: July 22, 2019
Kirkus Reviews Issue: Aug. 15, 2019
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