A mixed-genre tour de force that blends together post-apocalyptic, dark fantasy, and romance elements.
Harris’ debut novel unfolds in a near-future where vampirism has all but wiped out humankind.
It’s been approximately a decade since vampires crawled from the grave and destroyed most of human civilization in a brutal, blood-soaked uprising. Orphaned twins Ripley and Ruby Clemmons were rescued from the Open—the wasteland between human enclaves where monsters roam free—by a man named Barnett who took them to Vaille (North Carolina’s biggest human compound) and raised them as his own. Now, 18 and almost full-fledged slayers, the twins face an unimaginable tragedy. While out on a mission in the Open, the twins’ squadron is attacked, and X, the most powerful vampire in the area, turns Ripley into a bloodsucker. Ruby, the story’s narrator, is devastated. With the hope of a possible cure for vampirism being dangled in front of her by Barnett, Ruby vows to find her sister and rescue her from X. But when she finally meets her sister again, her world is upended by revelations about X, an underground city of vampires, and research being conducted by the leaders of Vaille. A well-developed cast, intriguing character dynamics (the twins’ intimate bond is brilliantly explored), and excellent worldbuilding are the obvious strengths here, but the snarky sense of humor is what makes this novel so readable—and fun. Here, Ruby recalls when the apocalypse began: “I remember…worrying about lockdowns and seniors losing their chance at graduation. And then a sophomore died, reanimated into a vampire, and ate her way through the football team.” Equal parts romance and coming-of-age tale, this adventure at world’s end should satisfy teen and adult readers alike.
A mixed-genre tour de force that blends together post-apocalyptic, dark fantasy, and romance elements.Pub Date: June 3, 2025
ISBN: 9781649378392
Page Count: 400
Publisher: Entangled Teen
Review Posted Online: June 6, 2025
Review Program: Kirkus Indie
Suspenseful, full of incident, and not obviously necessary.
Atwood goes back to Gilead.
The Handmaid’s Tale (1985), consistently regarded as a masterpiece of 20th-century literature, has gained new attention in recent years with the success of the Hulu series as well as fresh appreciation from readers who feel like this story has new relevance in America’s current political climate. Atwood herself has spoken about how news headlines have made her dystopian fiction seem eerily plausible, and it’s not difficult to imagine her wanting to revisit Gilead as the TV show has sped past where her narrative ended. Like the novel that preceded it, this sequel is presented as found documents—first-person accounts of life inside a misogynistic theocracy from three informants. There is Agnes Jemima, a girl who rejects the marriage her family arranges for her but still has faith in God and Gilead. There’s Daisy, who learns on her 16th birthday that her whole life has been a lie. And there's Aunt Lydia, the woman responsible for turning women into Handmaids. This approach gives readers insight into different aspects of life inside and outside Gilead, but it also leads to a book that sometimes feels overstuffed. The Handmaid’s Tale combined exquisite lyricism with a powerful sense of urgency, as if a thoughtful, perceptive woman was racing against time to give witness to her experience. That narrator hinted at more than she said; Atwood seemed to trust readers to fill in the gaps. This dynamic created an atmosphere of intimacy. However curious we might be about Gilead and the resistance operating outside that country, what we learn here is that what Atwood left unsaid in the first novel generated more horror and outrage than explicit detail can. And the more we get to know Agnes, Daisy, and Aunt Lydia, the less convincing they become. It’s hard, of course, to compete with a beloved classic, so maybe the best way to read this new book is to forget about The Handmaid’s Tale and enjoy it as an artful feminist thriller.
Suspenseful, full of incident, and not obviously necessary.Pub Date: Sept. 10, 2019
ISBN: 978-0-385-54378-1
Page Count: 432
Publisher: Nan A. Talese
Review Posted Online: Sept. 3, 2019
Kirkus Reviews Issue: Sept. 15, 2019
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
A lackluster and sometimes disturbing mishmash of overused tropes.
The Plague has left a population divided between Elites and Ordinaries—those who have powers and those who don’t; now, an Ordinary teen fights for her life.
Paedyn Gray witnessed the king kill her father five years ago, and she’s been thieving and sleeping rough ever since, all while faking Psychic abilities. When she inadvertently saves the life of Prince Kai, she becomes embroiled in the Purging Trials, a competition to commemorate the sickness that killed most of the kingdom’s Ordinaries. Kai’s duties as the future Enforcer include eradicating any remaining Ordinaries, and these Trials are his chance to prove that he’s internalized his brutal training. But Kai can’t help but find Pae’s blue eyes, silver hair, and unabashed attitude enchanting. She likewise struggles to resist his stormy gray eyes, dark hair, and rakish behavior, even as they’re pitted against each other in the Trials and by the king himself. Scenes and concepts that are strongly reminiscent of the Hunger Games fall flat: They aren’t bolstered by the original’s heart or worldbuilding logic that would have justified a few extreme story elements. Illogical leaps and inconsistent characterizations abound, with lighthearted romantic interludes juxtaposed against genocide, child abuse, and sadism. These elements, which are not sufficiently addressed, combined with the use of ableist language, cannot be erased by any amount of romantic banter. Main characters are cued white; the supporting cast has some brown-skinned characters.
A lackluster and sometimes disturbing mishmash of overused tropes. (map) (Fantasy. 14-18)Pub Date: Nov. 7, 2023
ISBN: 9798987380406
Page Count: 538
Publisher: Simon & Schuster
Review Posted Online: Sept. 9, 2023
Kirkus Reviews Issue: Oct. 1, 2023
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