An uplifting, sympathetic portrayal of dyslexia and friendship.
A young dyslexic girl struggles with reading.
Stella Martinez can’t wait to start fifth grade. She and her BFFs, Latasha and Emiko, even get to sit together in Miss Marin’s class. But to Stella’s dismay, school soon feels like “one big reading class.” Even math, one of her favorite subjects besides art, has word problems, and the fifth grade project is a Young Authors Competition. Textbooks have longer words and fewer pictures, making comprehension time-consuming, and Stella falls behind. Even the new online universe for Stella and her friends’ favorite show, Witchlins, requires a guidebook, which Stella has trouble following. As her BFFs and classmates discuss the game, Stella feels left out. Will reading ruin her friendships? Garcia, who based Stella’s story on her daughter’s journey of coming to terms with dyslexia and her own experiences with neurodivergence, introduces a multifaceted protagonist with a learning disability and encouragingly highlights various coping strategies. Adults are warmly supportive, barring a dour, gray-haired, light-skinned librarian whose misconception that graphic novels aren’t “real” books is emphatically dispelled. In keeping with Miss Marin’s affirmation that “all brains work differently,” the book’s clear lettering, decodable text, and expressive art invite readers of all abilities to root for Stella. Stella and her dad and sibling are brown-skinned and cued Latine; Mom is pale-skinned. Latasha presents Black, Emiko is of East Asian descent, and Miss Marin has light-brown skin.
An uplifting, sympathetic portrayal of dyslexia and friendship. (resources, cover design process) (Graphic fiction. 8-11)Pub Date: Jan. 21, 2025
ISBN: 9781250840882
Page Count: 208
Publisher: First Second
Review Posted Online: Oct. 25, 2024
Kirkus Reviews Issue: Dec. 1, 2024
However the compelling fitness of theme and event and the apt but unexpected imagery (the opening sentences compare the...
At a time when death has become an acceptable, even voguish subject in children's fiction, Natalie Babbitt comes through with a stylistic gem about living forever.
Protected Winnie, the ten-year-old heroine, is not immortal, but when she comes upon young Jesse Tuck drinking from a secret spring in her parents' woods, she finds herself involved with a family who, having innocently drunk the same water some 87 years earlier, haven't aged a moment since. Though the mood is delicate, there is no lack of action, with the Tucks (previously suspected of witchcraft) now pursued for kidnapping Winnie; Mae Tuck, the middle aged mother, striking and killing a stranger who is onto their secret and would sell the water; and Winnie taking Mae's place in prison so that the Tucks can get away before she is hanged from the neck until....? Though Babbitt makes the family a sad one, most of their reasons for discontent are circumstantial and there isn't a great deal of wisdom to be gleaned from their fate or Winnie's decision not to share it.
Pub Date: Nov. 1, 1975
ISBN: 0312369816
Page Count: 164
Publisher: Farrar, Straus and Giroux
Review Posted Online: April 13, 2012
Kirkus Reviews Issue: Nov. 1, 1975
Ironically, by choosing such a dramatic catalyst, the author weakens the adventure’s impact overall and leaves readers to...
A group of talking farm animals catches wind of the farm owner’s intention to burn the barn (with them in it) for insurance money and hatches a plan to flee.
Bond begins briskly—within the first 10 pages, barn cat Burdock has overheard Dewey Baxter’s nefarious plan, and by Page 17, all of the farm animals have been introduced and Burdock is sharing the terrifying news. Grady, Dewey’s (ever-so-slightly) more principled brother, refuses to go along, but instead of standing his ground, he simply disappears. This leaves the animals to fend for themselves. They do so by relying on their individual strengths and one another. Their talents and personalities match their species, bringing an element of realism to balance the fantasy elements. However, nothing can truly compensate for the bland horror of the premise. Not the growing sense of family among the animals, the serendipitous intervention of an unknown inhabitant of the barn, nor the convenient discovery of an alternate home. Meanwhile, Bond’s black-and-white drawings, justly compared to those of Garth Williams, amplify the sense of dissonance. Charming vignettes and single- and double-page illustrations create a pastoral world into which the threat of large-scale violence comes as a shock.
Ironically, by choosing such a dramatic catalyst, the author weakens the adventure’s impact overall and leaves readers to ponder the awkward coincidences that propel the plot. (Animal fantasy. 8-10)Pub Date: July 7, 2015
ISBN: 978-0-544-33217-1
Page Count: 256
Publisher: HMH Books
Review Posted Online: March 31, 2015
Kirkus Reviews Issue: April 15, 2015
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